A GEORGE II SILVER-GILT CUP AND COVER
THE PROPERTY OF A GENTLEMAN 
A GEORGE II SILVER-GILT CUP AND COVER

MARK OF PAUL DE LAMERIE, LONDON, 1745

Details
A GEORGE II SILVER-GILT CUP AND COVER
MARK OF PAUL DE LAMERIE, LONDON, 1745
Inverted bell shaped and on a spreading foot, the foot and lower body each cast and chased with scrolling foliage, the body further applied with a winged putto holding a bunch of grapes, with two shell capped scroll handles, the detachable cover similarly cast and chased and with a finial cast as a bunch of grapes, later engraved with a coat-of-arms on one side and a crest on the other, marked underneath and on cover bezel
14¼ in. (36 cm.) high
125 oz. (3,896 gr.)
The arms are those of Duncombe impaling Campbell for Octavious Duncombe (1817-1879) and his wife Lady Emily Caroline Campbell (d.1811), elder daughter of the 1st Earl of Cawdor, whom he married in 1842. Octavius Duncombe was the fifth son of the Hon. Augustus Dumcombe, who was in turn the fifth son of Charles, 1st Baron Feversham, of Nearsby Park, Bedfordshire. Octavius was M.P. for North Yorkshire and formerly a Lieutenant 1st Life Guards.
Provenance
The Hon. Octavius Duncombe (1817-1879) and presumably by descent to his only son
Walter Henry Octavius Duncombe (1846-1917), of Waresley Park and Westerdale Hall, Grosmont, Yorkshire and presumably by descent to his second cousin twice removed
Charles, 3rd Earl of Feversham (1906-1963)
The Earl of Feversham; Christie's, London, 25 May 1937, lot 58.
Esmond, 1st Viscount Rothermere (1868-1940)
The Viscount Rothermere; Christie's, London, 3 December 1941, lot 61.
Anonymous sale; Sotheby's, London, 10 March 1960, lot 151.
Florence Gould (1895-1983)
The Collection of Florence Gould, Sotheby's, Monaco, 26 June 1984, lot 1225.
Literature
The Glory of the Goldsmith, Magnificent Gold and Silver from the Al-Tajir Collection, 1989, p. 126.
Exhibited
Christie's, London, The Glory of the Goldsmith, Magnificent Gold and Silver from the Al-Tajir Collection, 1989, no. 91.

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Tom Johans
Tom Johans

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Lot Essay

The Maynard Master

The style and quality of the chasing on the present cup suggests the influence of the "Maynard Master," named after a sideboard dish made for Grey, 5th Baron Maynard (Christie's, London, 22 May 1991, lot 145 and now in the Cahn collection). The existence of this unnamed artist, working in Lamerie's workshop from around 1736 to the early 1740's, was first suggested by the silver historian Ubaldo Vitali. The work of the Maynard Master is typified by putti with distressed or plaintive expressions; spiralled buds, known as "cinnamon bun" scrolls, and wilted lion's heads resting on their paws (E. Alcorn, Beyond the Maker's Mark: Paul de Lamerie Silver in the Cahn Collection, 2006).

The Rothermere Collection

This cup formed part of the celebrated collection of silver formed by newspaper founder and proprietor Esmond, 1st Viscount Rothermere (1868-1940). A report of the impending auction of the collection in The Times of 20 November 1941 observed that 'Connoisseurs have long known of the late Lord Rothermere's collection of pictures by old masters and his magnificent assemblage of decorative furniture, but few had suspected his love of old English silver.' The sale achieved a total of £29,212.

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