Lot Essay
This extraordinary krater, and the following three, were first publically shown in this country in the extensive and ground-breaking exhibition on South Italian vase painting curated by Maggie Mayo that traveled to Richmond, Tulsa and Detroit in 1982 and 1983. In preparation for that exhibit, Arthur Dale Trendall, the world-renowned expert on western Greek pottery, recognized that despite having examined nearly every Apulian red-figured vase in existence, he had never previously encountered works attributable to the painter of this group. He saw that the workmanship was close to the Painter of Berlin F 3383, a follower of the Baltimore Painter and contemporary of the White Saccos Painter, and that there were "stylistic affinities" with the Arpi Painter. He named this previously unknown painter, accordingly, the Virginia Exhibition Painter. The obverse of all four vases (and a fifth, sold in these rooms with a portion of the collection of John W. Kluge in June 2004) shows one, two or three figures within an Ionic naiskos or aedicula. According to Mayo, p. 197, op. cit., the figures depicted therein, when in added white, may be considered to be sculptures in stone or figures in the afterlife, while those in reserved red-figure are perhaps rather those living in this world.