Lot Essay
The chimneypiece is designed in the George III Roman fashion popularised by the court architect Robert Adam (d.1792).
The ornamentation of chimneypieces with both pewter and gesso ornament is prevalent from the 1770's. The metallic surface was meant to be painted to merge with the background. One of the principle exponents of the manufacture of pewter ornament was the Soho works of Matthew Boulton and John Fothergill.
Comparative literature: Alison Kelly The Book of English Fireplaces, London, 1968, pp.62-63. Sir Nicholas Goodison Matthew Boulton: Ormolu, London, 2002, pp.191-192.
The ornamentation of chimneypieces with both pewter and gesso ornament is prevalent from the 1770's. The metallic surface was meant to be painted to merge with the background. One of the principle exponents of the manufacture of pewter ornament was the Soho works of Matthew Boulton and John Fothergill.
Comparative literature: Alison Kelly The Book of English Fireplaces, London, 1968, pp.62-63. Sir Nicholas Goodison Matthew Boulton: Ormolu, London, 2002, pp.191-192.