A BLUE AND WHITE OGEE DISH
ANOTHER PROPERTY
A BLUE AND WHITE OGEE DISH

QIANLONG SIX-CHARACTER SEAL MARK AND OF THE PERIOD (1736-1795)

Details
A BLUE AND WHITE OGEE DISH
QIANLONG SIX-CHARACTER SEAL MARK AND OF THE PERIOD (1736-1795)
The dish is well painted with a stylised six-petalled flowerhead within the sunken central medallion encircled by a classic scroll around the stepped sides, and with the Bajixiang on the widely flaring cavetto. The exterior is decorated with five bats, wufu, in flight above a sea of cresting waves crashing against four tall rocky outcrops from which grow lingzhi fungus amidst the Eight Treasures.
9 in. (23 cm.) diam., box
Provenance
Formerly in the collection of Erik Akerlund (b. 1871) who was a well-known Swedish dentist and art collector

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Angela Kung
Angela Kung

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Lot Essay

The ogee-dish form first appeared in the Qianlong period, with its production continuing into subsequent reigns of the Qing dynasty. The cobalt-blue designs on the present lot is painted in the Ming style of heaping and piling, combining Bajixiang, the Eight Buddhist Emblems, bats and sea waves, and the Eight Treasures, a comprehensive representation of good fortune, happiness and longevity. There are few published examples with this very rare combination of auspicious designs. The Bajixiang designs are more commonly found in doucai on Qianlong-marked ogee dishes, including one of similar size featuring the Buddhist emblems, with floral and ruyi borders on the exterior, in the Nanjing Museum, illustrated in Treasures in the Royalty: The Official Kiln Porcelain of the Chinese Qing Dynasty, Shanghai, 2003, pl. 302.

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