AN IMPORTANT MING CARVED CINNABAR LACQUER STATIONERY CHEST
AN IMPORTANT MING CARVED CINNABAR LACQUER STATIONERY CHEST

JIAJING INCISED AND GILT SIX-CHARACTER MARK AND OF THE PERIOD (1522-1566)

Details
AN IMPORTANT MING CARVED CINNABAR LACQUER STATIONERY CHEST
JIAJING INCISED AND GILT SIX-CHARACTER MARK AND OF THE PERIOD (1522-1566)
The box is of rectangular section with a hinged cover, concealing a rectangular compartment. The upper surface of the cover is carved in high relief to a green ground with a stylised Shou, 'Longevity', character formed by vapours emanating from the beak of a crane standing on an aged pine tree, beside four other companions with a sixth in flight, all within an ogival-form cartouche, surrounded by a floral meander of peony, chrysanthemum, camellia and morning glory. The shorter sides of the cover are decorated with a continuous floral scroll, each flower supporting a zhabao, 'miscellaneous treasure', the sides of the box decorated with the same crane pattern. The front facing panel is removable to reveal eight fitted drawers of varying sizes, supported on a protruding base with prunus blossoms floating on crested waves.
12 3/8 x 8 5/8 x 12 in. (31.5 x 21.2 x 30.5 cm.)
Exhibited
The Museum of East Asian Art, Cologne, 1990, Dragon and Phoenix, Chinese Lacquer Ware, The Lee Family Collection, Catalogue, no. 54
Los Angeles County Musuem of Art, 1990/91
The Shoto Museum of Art, Shibuya, Japan, 1991, Chinese Lacquerware, Catalogue, no. 60

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Lot Essay

The motif of cranes was extremely popular during the Jiajing period because of its association with longevity, to which the emperor fervently aspired, and therefore is found on numerous 16th century lacquer pieces. The composition of the present box designed with the sixth crane emitting a Chinese character is comparable to a similar relic box sold at Christie's Hong Kong, 1 November 2004, lot 848, which bears the character Sheng, 'Sacred'. For a related polychrome lacquer box from the same Lee Family Collection, dated to the early Jiajing period, carved on each vertical side with characters reading Fu Shou Chang Yong, denoting prosperity, longevity and everlasting life, see 2000 Years of Chinese Lacquer, the Oriental Ceramic Society of Hong Kong and the Chinese University of Hong Kong, 1993, p. 111. no. 54.

For a rectangular document box of this construction, carved with a twisted pine tree forming a stylised Shou character, in the Beijing Palace Museum Collection, see Carved Lacquer Ware, Forbidden City Publishing House, 2008, p. 79; and a related box without the removable front panel, in the collection of Fritz Low-Beer, illustrated in Im Zeichen Des Drachen, 2007, p. 155, no. 71.

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