ENVOYS COME TO PAY HOMAGE TO KING DASARATHA
A LARGE ILLUSTRATION FROM THE RAMAYANA
ENVOYS COME TO PAY HOMAGE TO KING DASARATHA

GARHWAL, NORTH INDIA, CIRCA 1800-1820

细节
ENVOYS COME TO PAY HOMAGE TO KING DASARATHA
GARHWAL, NORTH INDIA, CIRCA 1800-1820
Gouache heightened with gold on paper, the crowned King Dasaratha with his wives and attendants sits in the top right hand corner as a large crowd carrying tribute assemble outside the walls with musicians and dancing girls, within blue borders with scrolling gold vine and wide pink margins, the reverse with trace of a stamp and a description of the scene in an early hand, mounted, glazed and framed
Painting 12¼ x 17½in. (31 x 44.5cm); folio 16 3/8 x 21½in. (41.5 x 54.7cm.)

荣誉呈献

Andrew Butler-Wheelhouse
Andrew Butler-Wheelhouse

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Another very large series of illustrations to the Mahabharata, closely comparable to this painting, was formerly in the Rothenstien collection and now in the Victoria and Albert Museum which W.G. Archer attributes to Garhwal, circa 1800-1820 (W. G. Archer, Indian Paintings from the Punjab Hills, London, 1973, no.24i and ii, p.87 and 118). This painting and the comparable paintings in the Victoria and Albert Museum illustrate male figures with the same distinctive moustaches. The textiles depicted on the saddle cloths and used for the tents in the background are identical to those shown in the Victorian and Albert museum comparable. The strong geometric forms and the delicate flow of the figures shows clear influence of the predominant Kangra and Guler schools. Later artists based at Garhwal such as Chaitu, related to the famous Seu dynasty of painters, were known to have travelled between courts in the Punjab hills.