QIANLONG INCISED SIX-CHARACTER MARK AND OF THE PERIOD (1736-1795)

細節

爐凸沿，束頸，直筒腹，圈足。通體藍琺瑯釉為地，腹部正中飾寶藍釉地花卉紋環帶，上下腹飾纏枝蓮紋。肩上置一對雲形耳。口邊、頸部、足牆環飾花葉紋。底嵌鎏金方片「大清乾隆年製」楷書橫款及「歸」千字文款。配鏤雕木蓋連如意紋玉頂鈕。

本爐形制非常罕有，應為爐瓶三事之一，乾隆早期之作品。參考清宮舊藏二件乾隆款掐絲琺瑯纏枝花紋夔耳爐，其腹部矮圓，雙耳如此器高越口沿，二器口邊及足牆的花葉紋邊飾亦與本器相同。見2011年北京出版故宫博物院藏品大系《琺瑯器編‧2‧清掐絲琺瑯》，圖版218-219號。

此器2005年6月15日於巴黎佳士得拍賣，拍品69號。後2005年購自香港乾坤堂。曾展出於Gerard Hawthorn 2002年6月舉辦《Oriental Works of Art》展覽，圖錄編號35號。著錄於2013年香港出版《至尊華貴—
歐洲私人珍藏御製掐絲琺瑯器》，編號47。

來源

Sold at Christie's Paris, 15 June 2005, lot 69
M & C Gallery, Hong Kong, 2005

出版

Reverence and Perfection: Magnificent Imperial Cloisonné Enamels from a Private European Collection, Hong Kong, 2013, no. 47

展覽

Gerard Hawthorn, Oriental Works of Art, London, June 2002, Catalogue, no. 35

榮譽呈獻

Mathilde Courteault (Paris)

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拍品專文

The form and decoration on the current censer are highly unusual and no other example appears to have been published to date. It would have been part of a garniture set for incense burning in the palace, and is stylistically related to other examples made during the early Qianlong reign. Compare to two censers of globular form in the Qing Court Collection which are also set with two handles rising above the mouth rims and with minor bands of floral decoration almost identical to the present censer, illustrated in Compendium of Collections in the Palace Museum - Enamels (2) - Cloisonne in the Qing Dynasty (1644-1911), Beijing, 2011, pls. 218-219. However these two examples are decorated with a main band of scrolling flowers and flanked instead by a pair of scroll-form handles.

QIANLONG INCISED SIX-CHARACTER MARK AND OF THE PERIOD (1736-1795)

榮譽呈獻

拍品專文

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