After Sir Joshua Reynolds, P.R.A.
After Sir Joshua Reynolds, P.R.A.

Portrait of Mary Robinson, 'Perdita' (? 1758-1800), bust-length, in a black dress and a black feathered hat, before a red curtain

細節
After Sir Joshua Reynolds, P.R.A.
Portrait of Mary Robinson, 'Perdita' (? 1758-1800), bust-length, in a black dress and a black feathered hat, before a red curtain
oil on canvas
29¾ x 25 in. (75.5 x 63.5 cm.)
in a contemporary Maratta frame
來源
Henry Markham, Olney, Bedfordshire, where acquired on 8 August 1953.
出版
A.E. Richardson, diary entry, 9 August 1953.
'Avenue House, Ampthill, Bedfordshire: The Residence of Professor A.E. Richardson, P.R.A., and Mrs. Richardson', Antique Collector, XXVI, February 1955, pp. 6-8, illustrated in a view of the drawing-room.

榮譽呈獻

Alexandra Cruden
Alexandra Cruden

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拍品專文

Mary Robinson (née Darby) (1757-1800) was tutored by David Garrick (1717-1779) as a teenager, and was indebted to him for her introduction into the London theatre. She became known as 'Perdita' when she played the heroine in Shakespeare's The Winter's Tale, in 1779. It was this performance that drew her to the attention of the young Prince of Wales, later King George IV, who offered her a bond for £20,000 to become his mistress. Subsequently abandoning her theatrical career, Mrs Robinson led a notorious life of extravagance and had numerous love affairs - she was one of the most frequently painted and caricatured women of the late 18th century. Mrs Robinson also wrote novels, plays and poetry, supported by her patron Georgiana Cavendish, Duchess of Devonshire (1757-1806). A few months before her death, Samuel Taylor Coleridge (1772-1834) wrote that he 'never knew a human Being with so full a mind...bad, good, & indifferent, but full, & overflowing' (Collected Letters, ed. E.L.Griggs, Oxford, 1959, I, p. 562), and today 'Perdita' Robinson is regarded as a significant contributor to Romanticism and a pioneering feminist.
The present portrait is after the picture of 1782 in a private collection.

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