AN ORMOLU-MOUNTED SEVRES PORCELAIN BLEU LAPIS CAILLOUTE VASE (VASE 'URNE A FACETTES')
AN ORMOLU-MOUNTED SEVRES PORCELAIN BLEU LAPIS CAILLOUTE VASE (VASE 'URNE A FACETTES')
1 More
AN ORMOLU-MOUNTED SEVRES PORCELAIN BLEU LAPIS CAILLOUTE VASE (VASE 'URNE A FACETTES')

BLUE INTERLACED L'S ENCLOSING DATE LETTER G FOR 1759-1760, PAINTER'S MARKS FOR MEREAUD AND DODIN, INCISED C, THE ORMOLU OF A LATER DATE

Details
AN ORMOLU-MOUNTED SEVRES PORCELAIN BLEU LAPIS CAILLOUTE VASE (VASE 'URNE A FACETTES')
BLUE INTERLACED L'S ENCLOSING DATE LETTER G FOR 1759-1760, PAINTER'S MARKS FOR MEREAUD AND DODIN, INCISED C, THE ORMOLU OF A LATER DATE
Of inverted pear shape, elaborately gilt in panels, the front central panel painted in colors with putti in clouds, the corresponding panel on the reverse with a loose bouquet, those on the socle with trophies of Love, each reserved within rocaille cartouches on a gilt Taillandier ground, the side panels gilt with rocaille cartouches on a caillouté ground
6¾ in. (17.1 cm.) high
Provenance
Baron Adolph de Rothschild, circa 1898.
Anonymous sale; Christie's, New York, 21 May 2003, lot 157.
Literature
E. Garnier, The Soft Porcelain of Sèvres, 1988, reprint, plate XLV (illustrated with the cover).

If you wish to view the condition report of this lot, please sign in to your account.

Sign in
View condition report

Lot Essay

Charles-Nicolas Dodin, arguably one of the best figure painters at Sèvres, started his career at Vincennes in 1754 painting enfants Boucher and trophies. Dated 1759/60, the present vase with its elaborately gilt ground, is an example of this early style. The flower painting found on the far side of the vase is the work of Charles Louis Méreaud le jeune. Recorded at Sèvres 1756-1780, Méreaud is considered equally gifted as a painter specializing in flowers. Although the present vase does not have a gilder's mark, the quality of the gilding is of equal quality to that of the painting and must be the work of an artist equal in stature to Dodin and Méreaud.

See T. Préaud and M. Brunet, Sèvres des Origines à nos Jours, Paris, 1987, p. 156, no. 97 for a pot-pourri vase and cover of the same form in the collection of the Musée des arts décoratifs, Paris.

More from The Art of Collecting: Three Private Collections

View All
View All