Lot Essay
Charles Raphaël Peyre (1872-1949) studied under the renowned 19th century sculptors Falguière and Mercié and their influence is apparent in his triumphant allegorical style. Peyre favoured popular romantic subjects, typical of the day, such as Venus and Cupid and playful putti (see lot 164 for a marble group of putti also by Peyre). His Bataille de Fleurs, for the city of Barentin is his most famous statuary group.
This present lot, modelled as a lifesize female nude holding aloft a lantern is emblematic of night, or light triumphing over darkness. It was originally commissioned for Sir Dhunjibhoy’s home in Windsor, The Willows, where it was placed atop a pedestal in the gardens (as shown in a photograph reproduced above).