A MAGNIFICENT FINE TURQUOISE-GROUND FAMILLE ROSE 'HUNDRED BOYS' VASE
A MAGNIFICENT FINE TURQUOISE-GROUND FAMILLE ROSE 'HUNDRED BOYS' VASE
A MAGNIFICENT FINE TURQUOISE-GROUND FAMILLE ROSE 'HUNDRED BOYS' VASE
1 More
A MAGNIFICENT FINE TURQUOISE-GROUND FAMILLE ROSE 'HUNDRED BOYS' VASE
4 More
THE PROPERTY OF A GENTLEMAN 
A MAGNIFICENT FINE TURQUOISE-GROUND FAMILLE ROSE 'HUNDRED BOYS' VASE

QIANLONG IRON-RED SIX-CHARACTER SEAL MARK AND OF THE PERIOD (1736-1795)

Details
A MAGNIFICENT FINE TURQUOISE-GROUND FAMILLE ROSE 'HUNDRED BOYS' VASE
QIANLONG IRON-RED SIX-CHARACTER SEAL MARK AND OF THE PERIOD (1736-1795)
The massive baluster vase is exquisitely decorated in brilliant enamels to depict a continuous scene of the 'Hundred Boys' celebrating the Spring Festival in extensive lakeside palace gardens with two separate pavilions linked by bridges over the water and set amidst rocky mountains. The scene includes children gathered in animated groups busily performing a dragon dance, blowing trumpets, playing with cymbals and drums, also playing with animal puppets, riding hobby-horses, carrying lanterns and lighting fire-crackers. All above a turquoise-ground ruyi band decorated with lotus sprays. The shoulder with further bands of ruyi, keyfret and upright lappets, the waisted neck richly embellished with auspicious emblems and lotus scrolls on a bright turquoise-ground flanked by a pair of blue-enamelled chilong handles. Both the interior and base with turquoise enamel.
29 3/4 in. (75.7cm.), box
Provenance
Collection of the Fujii Yurinkan, Kyoto, Japan, a private museum founded in 1926 by Fujii Zensuke (1860-1934)
Sold at Sotheby's Hong Kong, 30 October 2002, lot 261
Sold at Christie's Hong Kong, 1 November 2004, lot 1149
Literature
Fujii Zensuke (ed.), Yurin Taikan, Kyoto, 1942, vol. 1
Sotheby's Thirty Years in Hong Kong, Hong Kong, 2003, p. 503, pl. 343

If you wish to view the condition report of this lot, please sign in to your account.

Sign in
View condition report

Lot Essay

Vases of this impressive size and decorated in this rich palette of enamels are very rare. Two comparable Qianlong period examples include a vase enamelled with ladies in a palace garden and auspicious emblems at the ruby-ground neck, from the collection of Lady Wantage, is illustrated by R. L. Hobson, Chinese Pottery and Porcelain, London, 1915, vol. 2, pl. 132; and another with a 'Hundred Boys' landscape scene below a graviata ruby-red ground neck was sold at Christie's New York, 3 December 1992, lot 350.

The festive nature of the 'Hundred Boys' design brings much animation and vivacity to the composition on the present vase, and others like it. The subject of boys, or of children, was very popular in the decorative arts of the Ming and Qing dynasties. Traditionally, they represent the wish for abundant offspring, or in particular, sons, and wealth. This theme can be found on a number of Qianlong vases, similarly rendered as on the present lot on a smaller scale, with boys at play within a garden scenery against monumental mountains in the distance view.

The quality and style of painting is very close to a smaller version of the present vase, sold at Christie's Hong Kong, 27 October 2003, lot 641. Cf. also a similar lantern-shaped vase in the Palace Museum, Beijing, illustrated in Falangcai, Fencai, The Complete Collection of Treasures of the Palace Museum, Hong Kong, 1999, pl. 132; a baluster vase of this design is also illustrated ibid., pl. 121; a pair of large famille rose and underglaze-blue vases sold at Sotheby's Hong Kong, 30 October 2002, lot 267; and another lantern vase with the 'Hundred Boys' subject-matter, included in the exhibition Qing Imperial Porcelain, Nanjing Museum and the Chinese University of Hong Kong, 1995, illustrated in the Catalogue, no. 87.

More from The Imperial Sale / Important Chinese Ceramics and Works of Art

View All
View All