ALCIATUS, Andreas (1492-1550). Emblemata… Notae Posteriores. Commentary by Claude Mignault. Lyons: Heirs of Guillaume Rouill, 1614. 2 parts in one volume, 8° (166 x 108mm). The commentary with separate title, general title printed in red and black with woodcut device, 197 emblems of which 196 illustrated with woodcuts (all but n. 62) and 14 woodcuts of trees, woodcut printer's device, initials and tail-piece. (Occasional marginal light waterstaining and some soiling.) 18th-century calf with gilt monogram I.H. on covers, paper label on spine (lightly rubbed). Provenance: Hopetoun (booklabel) – A.H. Bright (booklabel).
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ALCIATUS, Andreas (1492-1550). Emblemata… Notae Posteriores. Commentary by Claude Mignault. Lyons: Heirs of Guillaume Rouill, 1614. 2 parts in one volume, 8° (166 x 108mm). The commentary with separate title, general title printed in red and black with woodcut device, 197 emblems of which 196 illustrated with woodcuts (all but n. 62) and 14 woodcuts of trees, woodcut printer's device, initials and tail-piece. (Occasional marginal light waterstaining and some soiling.) 18th-century calf with gilt monogram I.H. on covers, paper label on spine (lightly rubbed). Provenance: Hopetoun (booklabel) – A.H. Bright (booklabel).

细节
ALCIATUS, Andreas (1492-1550). Emblemata… Notae Posteriores. Commentary by Claude Mignault. Lyons: Heirs of Guillaume Rouill, 1614. 2 parts in one volume, 8° (166 x 108mm). The commentary with separate title, general title printed in red and black with woodcut device, 197 emblems of which 196 illustrated with woodcuts (all but n. 62) and 14 woodcuts of trees, woodcut printer's device, initials and tail-piece. (Occasional marginal light waterstaining and some soiling.) 18th-century calf with gilt monogram I.H. on covers, paper label on spine (lightly rubbed). Provenance: Hopetoun (booklabel) – A.H. Bright (booklabel).

A late edition of the first and most popular emblem book. Landwehr records close to 80 editions published in France from 1534 to 1616, of which nearly two dozen from the Rouill press. Most of the woodcuts are from the set by Pierre Eskrich (= Pierre Vase), commissioned by Guillaume Rouill in 1548 in imitation of the series designed by Bernard Salomon for Jean de Tournes. Landwehr Romanic, 94.
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