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Lot Essay
In this captivating landscape, depicting the diminishing evening light across Lake Albano, Jacob More displays the exceptional talent that earned him the accolade amongst contemporaries as ‘without doubt the finest landscape-painter in the world‘ (D. Irwin, ‘Jacob More, Neo-Classical Landscape Painter‘, The Burlington Magazine, 114, no. 836, November 1972, p. 775). The golden hue presiding over the scene and More’s peaceful figures settling in the fore endow this scene with calmness and serenity.
Scottish-born More, who passed most of his adult life in Italy, earning himself the sobriquet ‘More of Rome‘, was patronised by such distinguished figures as Prince Rezzonico, and Prince Marcantonio Borghese. His work was known to fetch higher prices than those of Claude, and he could number Goethe and Sir Joshua Reynolds among his admirers.
Scottish-born More, who passed most of his adult life in Italy, earning himself the sobriquet ‘More of Rome‘, was patronised by such distinguished figures as Prince Rezzonico, and Prince Marcantonio Borghese. His work was known to fetch higher prices than those of Claude, and he could number Goethe and Sir Joshua Reynolds among his admirers.