FANG ZHAOLIN (1914-2006)
LOTS 1610-1611PROPERTY OF A PRIVATE AUSTRALIAN COLLECTORThese two paintings were acquired by the present owner's father directly from the artist in Shanghai between 1949 and 1960 and thence by descent. Both parents of the owner took painting lessons from Lin Fengmian until early 1960s and they knew the artist very well.
FANG ZHAOLIN (1914-2006)

方召麐 (1914-2006) 窑洞安寧 水墨 設色 紙本 鏡框 1985年作

細節
方召麐 (1914-2006)
窑洞安寧
水墨 設色 紙本 鏡框
1985年作
來源
香港私人收藏。
更多詳情
FANG ZHAOLIN (1914-2006)
Selected exhibitions
2014 Ashmolean Museum, Oxford, UK (solo)
2005 Asian Art Museum of San Francisco, USA (solo)
2000 Fuji Art Museum, Tokyo, Japan (solo)
1998 National Art Museum of China, Beijing, China (group)
1997 Shanghai Art Museum, China (solo)
1994 Hong Kong Museum of Art (solo)
1988 Fung Ping Shan Museum, University of Hong Kong, Hong Kong (solo) 1967 Scottish National Museum of Art, Scotland (group)

Notable collections
Scottish National Museum of Art, Edinburgh, UK
Shanghai Art Museum, China
The Asian Art Museum of San Francisco, USA
The British Museum, London, UK
Victoria & Albert Museum, London, UK

Born in Wuxi, Jiangsu province in 1914, Fang Zhaolin received a modern education under the guidance of her liberally-minded parents. In 1937 Fang left China for the United Kingdom to study European modern history at the University of Manchester, becoming the first female Chinese student at the institution. Fang's journey as an artist was inspired by many prominent painters of the 20th century. She first received training from Chen Jiucun and Qian Songyan in Shanghai; while in Hong Kong she learned under Lu Xinnong and Zhao Shao'ang who opened doors for her to the Lingnan School. She became a student of Zhang Daqian in 1953, and this experience had profound influence on her art. Fang's mature works after the 1960s accentuate her superb skill in using calligraphy brushworks to outline mountains and landscapes. Through the active scenes she depicted, Fang's works resemble Western genre painting and manifest an underlying humour and often a social ideology that are shared by her audience.

榮譽呈獻

Carmen Shek Cerne
Carmen Shek Cerne

拍品專文

方召麐喜畫窑洞,靈感來自於她的陜北之行。畫面構圖豐富熱鬧,人物造型各有其趣,表現出安寧和諧的景象。畫中窑洞裡的人們,門户上寫着「天下太平」、「豐年」、「國泰民安」等美好的願景。方氏筆下的山和石體現出拙、重、大的風貌,不僅造型厚重,線條蒼勁,山勢豪壯,在設色上也多次渲染,在一個色調中造出深淺濃淡和獨特的皴法,為其山水的獨特風格。 方召麐 (1914-2006) 展覽 (精選) 2014 阿什莫林美術館 (英國牛津) – 個展 2005 舊金山亞洲藝術博物館 (美國) – 個展 2000 富士美術館 (日本東京) – 個展 1998 中國美術館 (中國北京) – 聯展 1997 上海美術館 (中國) – 個展 1994 香港藝術館 (香港) – 個展 1988 香港大學馮平山博物館 (香港) – 個展 1967 蘇格蘭國家美術館 (蘇格蘭) – 聯展 收藏機構 (精選) 蘇格蘭國家博物館 (蘇格蘭愛丁堡) 上海美術館 (中國) 舊金山亞洲藝術博物館 (美國加州) 大英博物館 (英國倫敦) 維多利亞和阿爾伯特博物館 (英國倫敦) 方召𪊲一九一四年生於江蘇無錫,在開明父母的引導下,她自幼便接受現代教育。一九三七年,方召𪊲負笈英國,於曼徹斯特大學攻讀歐洲近代史,成為該校首位中國女留學生。 方氏在諸多中國二十世紀藝術大家的影響和啟發下,開始踏上藝術道路。最初,她在上海陳舊村和錢松岩門下接受藝術訓練,之後前往香港,拜陸辛農和趙少昂為師,自此便叩開嶺南派大門。一九五三年,她入張大千門下,藝術風格受到巨大影響。在一九六○年代之後的成熟期作品中,方召𪊲著重使用書法中的筆墨技巧刻畫遠山和風景。透過她所描繪的景色,方氏的作品以近乎西方風俗畫的風格傳達出潛在的幽默感,並時常表達社會意識形態或共同信念,以利觀者理解。

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