SPINOZA, Baruch (1632-1677). Opera posthuma [Compendium grammatices linguae hebraeae]. [Amsterdam: Jan Rieuwertsz], 1677. 2 parts in one volume 4° (202 x 152mm). A few woodcut illustrations and diagrams. (Lacks the portrait frontispiece, as often, occasional light spotting and soiling.) Contemporary panelled calf, red morocco spine label, red edges (extremities rubbed, front cover almost detached).
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SPINOZA, Baruch (1632-1677). Opera posthuma [Compendium grammatices linguae hebraeae]. [Amsterdam: Jan Rieuwertsz], 1677. 2 parts in one volume 4° (202 x 152mm). A few woodcut illustrations and diagrams. (Lacks the portrait frontispiece, as often, occasional light spotting and soiling.) Contemporary panelled calf, red morocco spine label, red edges (extremities rubbed, front cover almost detached).

細節
SPINOZA, Baruch (1632-1677). Opera posthuma [Compendium grammatices linguae hebraeae]. [Amsterdam: Jan Rieuwertsz], 1677. 2 parts in one volume 4° (202 x 152mm). A few woodcut illustrations and diagrams. (Lacks the portrait frontispiece, as often, occasional light spotting and soiling.) Contemporary panelled calf, red morocco spine label, red edges (extremities rubbed, front cover almost detached).

FIRST EDITION of Spinoza's Opera posthuma which 'have served, then and since, with the Tractatus Theologico-Politicus, to immortalize his name' (PMM 153). The first and 'principal work in the Opera posthuma is Spinoza's Ethics, in which Spinoza bridged the Cartesian duality of body and spirit by maintaining that the universe, including God, constitutes a unified, infinite and all-inclusive "Substance", of which corporeality and spirituality were merely attributes -- a unity expressed in the controversial phrase "Deus sive Natura" (God or Nature). Ethics is thus considered the first systematic exposition of pantheism, the philosophy in which God is identified with the entire universe' (Norman). Norman 1988; Caillet 10309; Van der Linde 22.
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