A SET OF EIGHTEEN ENGLISH MAHOGANY ARMCHAIRS
A SET OF EIGHTEEN ENGLISH MAHOGANY ARMCHAIRS
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Specified lots (sold and unsold) marked with a fil… Read more PROPERTY FROM A PRIVATE COLLECTION
A SET OF EIGHTEEN ENGLISH MAHOGANY ARMCHAIRS

19TH CENTURY

Details
A SET OF EIGHTEEN ENGLISH MAHOGANY ARMCHAIRS
19TH CENTURY
Each with a reeded tablet toprail and horizontal splat and downcurved arms, the seat upholstered in yellow silk damask, on ring turned and reeded legs, restorations and replacements, particularly to legs and feet, previously but not originally with stretchers
31 ½ in. (80 cm.) high; 31 ½ in. (55 cm.) wide; 23 ½ in. (60 cm.) deep
Provenance
The Custom House, Liverpool.
Acquired from Mallett, London.
Literature
Mallett, Pleasures of Bacchus Dining and Drinking, London, 2002, p. 56.
Special notice
Specified lots (sold and unsold) marked with a filled square not collected from Christie’s by 5.00 pm on the day of the sale will, at our option, be removed to Cadogan Tate. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage. Please call Christie’s Client Service 24 hours in advance to book a collection time at Cadogan Tate Ltd. All collections will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

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Carys Bingham
Carys Bingham

Lot Essay

The chairs correspond to a design for Dining and Drawing Room Chairs from Ackermann’s Repository, vol. XIV, October 1815, p. 21, and demonstrate the continuing appetite for Regency-styled furnishings throughout the 19th century. In the manner of Gillow of Lancaster and London the armchairs were formerly in the ‘new’ Custom House, Liverpool, constructed between 1828 and 1835 on the site of the old dock at Canning Place. The architect, John Foster (d. 1846), served as a pupil in the office of Jeffry Wyatt (later Sir Jeffry Wyatville) in Lower Brook Street, Mayfair, and in 1809 travelled extensively throughout Greece with fellow architect and writer, C.R. Cockerell. His training, therefore, and subsequent architectural designs, exemplified by the Custom House, display the influence of the sobre and scholarly Greek style. In 1836, an application was submitted by Foster to undertake the entire supervision of fittings of the Custom House for 2.5% on the costs, and given his preference for the Greek revival it is entirely feasible he commissioned this pattern of chair, a successor to the ‘antique’ klismos chair made fashionable by the publication in 1807 of Thomas Hope’s Household Furniture & Interior Decoration, from a local firm such as Gillows of Lancaster and London (E. Hardwicke Rideout, The Custom House Liverpool, Liverpool, 1928, p. 83).

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