AN ILLUSTRATION TO A RAGAMALA SERIES: KAMALA RAGAPUTRA OF DIPAK RAGA
AN ILLUSTRATION TO A RAGAMALA SERIES: KAMALA RAGAPUTRA OF DIPAK RAGA

CHAMBA, NORTH INDIA, CIRCA 1690-1700

Details
AN ILLUSTRATION TO A RAGAMALA SERIES: KAMALA RAGAPUTRA OF DIPAK RAGA
CHAMBA, NORTH INDIA, CIRCA 1690-1700
Opaque pigments heightened with gold on paper, a deity holding budding lotus flowers in both hands, sitting on a raised lotus, with bees swarming around, the reverse with two lines of black takri script, one line of devanagari script, the Royal Mandi library stamp and inventory numbers in pencil
8 ½ x 6in. (21.5 x 15.4cm.)
Provenance
Royal Mandi Collection, inv. no. 2469
Private Collection, Germany
Francesca Galloway, London, 2005
Literature
C. Glynn, R. Skelton, A. L. Dallapiccola, Ragamala, Paintings from India from the Claudio Moscatelli Collection, London, 2011, cat. 8, pp. 54-55
Exhibited
Dulwich Picture Gallery, London, 25 January 2012 - 27 May 2012
Brighton Museum and Art Gallery, 22 October 2011 - 8 January 2012
Engraved
Verso -

In Takri:
cha // raga kamla // 4 // di //
raga kamla dipake da putra

In Devanagari:
raga kamla dipake da putra 35

Brought to you by

Beatrice Campi
Beatrice Campi

Lot Essay

This painting is part of a ragamala series that was once attributed to the Pahari court of Bilaspur. After a recent study of illustrations from the Moscatelli collection, Catherine Glynn re-attributed them to the court of Chamba. (C. Glynn, Anna Dallapiccola and Robert Skelton, Ragamala: Paintings from India from the Claudio Moscatelli Collection, London, 2011, pg. 34).

The Hindi word for lotus is ‘Kamala’. In this delightful rendition of Kamala Ragaputra, the artist has included lotus symbolism everywhere possible. Sitting on a large lotus by a lotus-filled pond, the hero holds two large lotus flowers in each hand and even has lotus buds peeking out of his turban, providing much attraction for the white and yellow bees swarming close to his turban.

For other comparable Pahari depictions of Kamala Ragaputra, see Waldschmidt 1967, fig. 65 (Bilaspur, circa 1750); Ebeling 1973, fig. 305, pg. 274 (Mankot, circa 1700); Waldschmidt 1975, fig. 147, pg. 496; Sotheby’s London, 29 April 1992, lot 8 (Basohli, circa 1680).

There are four folios from this series in the Kronos Collections (T. McInerney, et al., Divine Pleasures: Painting from India’s Rajput Courts – The Kronos Collections, (exhibition catalogue), New York, 2016, nos. 45 – 48, pp. 142 – 149.)

For other folios which have sold at auction recently, see Christie’s London, 25 April 2013, lot 184; Christie’s South Kensington, 10 June 2013, lots 2-7; Christie’s New York, 18 September 2013, lot 357A.

For another folio from this series in the sale, see lot 21.

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