A CARVED ALOESWOOD EXPORT 'CURIOSITY' MIRROR
Prospective purchasers are advised that several co… 顯示更多
清十九世紀 沉香木雕海水樓閣紋萬花鏡

19TH CENTURY

細節
清十九世紀 沉香木雕海水樓閣紋萬花鏡
31 1/8 in. (79 cm.) high; 22 in. (56 cm.) wide; 8 ¾ in. (22 cm.) deep
注意事項
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country. Specified lots (sold and unsold) marked with a filled square not collected from Christie’s by 5.00 pm on the day of the sale will, at our option, be removed to Cadogan Tate. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage. Please call Christie’s Client Service 24 hours in advance to book a collection time at Cadogan Tate Ltd. All collections will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

榮譽呈獻

Kate Hunt
Kate Hunt Director, Head of Department

拍品專文

A similar 'curiosity' mirror was offered at Christie's London, 15 May 2007, lot 34.

At first glance this exceptionally rare item appears to be an intricately carved dark wood cabinet with a round mirror on the front. The elaborate, high relief, carving, which depicts buildings, waves and clouds, is reminiscent of the well-carved furniture that was sent from Guangdong as tribute to the court in the 18th century. Closer inspection of the buildings in the upper quarter of the piece, however, reveals that two moon-shaped 'windows' are in fact glazed, and invite the viewer to look inside. On looking through the left window the viewer sees a stage with figures in European dress, an arch and several sets of wings, which give an appearance of recession to the scene. The right window encloses European figures in rowing boats and sailing vessels, all set up to create a sense of depth.

From the back of the cabinet it is possible to see the five layers of scenery. The impression when looking through the 'windows' in the front of the cabinet is of seeing a miniature version of an 18th century theatre - of the kind that has survived to this day in a few European palaces, such as Ludwigsburger Castle near Stuttgart in Germany. The whole construction of this viewing cabinet has been beautifully crafted to give full effect to the optical illusion it offers the viewer, and must have delighted its intended recipient.

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