A RARE EARLY MING PARCEL-GILT BRONZE CEREMONIAL BELL, GHANTA
A RARE EARLY MING PARCEL-GILT BRONZE CEREMONIAL BELL, GHANTA
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A RARE EARLY MING PARCEL-GILT BRONZE CEREMONIAL BELL, GHANTA

XUANDE INCISED SIX-CHARACTER PRESENTATION MARK AND OF THE PERIOD (1426-1435)

细节
A RARE EARLY MING PARCEL-GILT BRONZE CEREMONIAL BELL, GHANTA
XUANDE INCISED SIX-CHARACTER PRESENTATION MARK AND OF THE PERIOD (1426-1435)
The gilt handle of the bell is cast with a face of Buddha wearing an eight-foliate crown, supporting a band of lotus petals and surmounted by a quintuple vajra-form finial. The cylindrical handle, inscribed with the six-character presentation mark, is attached to the domed-shaped bell decorated with radiating lotus petals each containing a Sanskrit mantra, above a band of horizontal vajra symbols within beaded borders that are repeated above the splayed foot in vertical form. The interior of the bell with three Sanskrit characters, O? a? hu? mantra in Lantsa Sanskrit.
8 ¾ in. (22.2 cm.) high
来源
Acquired from Rossi & Rossi, London

拍品专文

The ritual bell, Diamond Bell, or Ghanta serves as a ritual instrument. Bells of this type symbolise sound, the creative word which through vibration transmits the repetition of a mantra. It is the female aspect of wisdom and truth in the void and emptiness. When the bell is struck its sound is brief which represents the concept of a short duration and all that is fleeting. Compare with a similar Xuande example in the Palace Museum Collection, Beijing, bearing a cast Da Ming Xuande nianshi presentation mark on the interior, illustrated in Cultural Relics of Tibetan Buddhism Collected in the Qing Palace, Forbidden City Press, 1992, nos. 132-1, 132-2, 132-3. A Yongle-marked example is also illustrated, ibid., nos. 131-1 and 131-2. It is interesting to note that the present bell is cast with Oṃ āḥ hūṃ in Lantsa Sanskrit, which forms the beginning of the Padmasambhava mantra, Om Ah Hum Vajra Guru Padma Siddhi Hum.

Compare also a related Tibetan ritual bell cast with the same mantra on the interior, illustrated in Monarchy and Its Buddhist Way, Tibetan-Buddhist Ritual Implements in the National Palace Museum, Taipei, 1999, p. 76, no. 8.

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