Lot Essay
This pair of wine-coolers is from a set of eight, each with Royal arms and copper-gilt liners and collars, made by Robert Garrard, 1816, the same year as the Duke's marriage. The wine-coolers were included in the 1904 sale of silver and silver-gilt from the collection of the Duke of Cambridge. A pair from the set, possibly the present pair, came to auction again from an American Private Collection, at Christie's, London, 17 October 1962, lot 102. Unlike some of his royal cousins, the Duke does not appear to have commissioned an extensive silver service, apart from this set of eight wine-coolers. A tray engraved with the accolé coat-of-arms of the Duke and his wife, by Paul Storr, 1815, sold at Christie's, London, 7 March 1990, lot 117.
The design for these wine-coolers is derived from the famous Medici Krater, as engraved by Piranesi in Vasi, Candelabri, Cippi, Sarcofagi in 1778. This engraving inspired a number of silver models by the leading Regency silver firms. A working pen drawing, made for the retailer Rundell's and attributed to either John Flaxman or William Theed, survives within an album labelled "Designs for Plate by John Flaxman, etc." in the Victoria and Albert Museum (see C. Oman, "A Problem of Artistic Responsibility," Apollo, March 1966, p. 174-183).
The design for these wine-coolers is derived from the famous Medici Krater, as engraved by Piranesi in Vasi, Candelabri, Cippi, Sarcofagi in 1778. This engraving inspired a number of silver models by the leading Regency silver firms. A working pen drawing, made for the retailer Rundell's and attributed to either John Flaxman or William Theed, survives within an album labelled "Designs for Plate by John Flaxman, etc." in the Victoria and Albert Museum (see C. Oman, "A Problem of Artistic Responsibility," Apollo, March 1966, p. 174-183).