ARTHUR-MARIE GABRIEL COMTE DU PASSAGE (FRENCH, 1838-1909)
ARTHUR-MARIE GABRIEL COMTE DU PASSAGE (FRENCH, 1838-1909)
ARTHUR-MARIE GABRIEL COMTE DU PASSAGE (FRENCH, 1838-1909)
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ARTHUR-MARIE GABRIEL COMTE DU PASSAGE (FRENCH, 1838-1909)
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These lots have been imported from outside the EU … Read more
ARTHUR-MARIE GABRIEL COMTE DU PASSAGE (FRENCH, 1838-1909)

A hunting group

Details
ARTHUR-MARIE GABRIEL COMTE DU PASSAGE (FRENCH, 1838-1909)
A hunting group
signed 'Cte. du Passage', on a verde antico marble pedestal
bronze, brown patina
The bronze: 22 in. (56 cm.) high; 29 in. (74 cm.) wide; 13 ½ in. (34 cm.) deep
The pedestal: 45 in. ( 114 cm.) high; 30 in. (76 cm.) wide; 18 ½ in. (47 cm.) deep

(2)Cast circa 1880-1900
Special notice
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction. This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

Brought to you by

Giles Forster
Giles Forster

Lot Essay

The Comte du Passage initially pursued a military career in accordance with his family's expectations but indulged his natural talent for sculpture by studying under the famed animaliers Anotine-Louis Barye and Pierre-Jules Mêne and exhibiting at the Paris Salon from 1865-93. He favoured sporting equestrian subjects and, like his masters, captured the horses with anatomical precision but also developed the genre by adding pleasantly animated horsemen and figures. His most commonly seen bronze groups depict a single horse and a figure, such as 'Cheval a l'entrainement avec son lad' (A horse training with his stable lad) and 'Cheval marchant et son lad' (Walking horse and groom) whereas the present group, with two hunters on horseback accompanied by hounds, is a rarer, larger and more accomplished work.

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