A FRENCH ORMOLU-MOUNTED TULIPWOOD, MAHOGANY, BOIS SATINE AND SYCAMORE COMMODE
Prospective purchasers are advised that several co… Read more THE PROPERTY OF A LADY
A FRENCH ORMOLU-MOUNTED TULIPWOOD, MAHOGANY, BOIS SATINE AND SYCAMORE COMMODE

BY PAUL SORMANI, PARIS, CIRCA 1880

Details
A FRENCH ORMOLU-MOUNTED TULIPWOOD, MAHOGANY, BOIS SATINE AND SYCAMORE COMMODE
BY PAUL SORMANI, PARIS, CIRCA 1880
The Sarrancolin marble top above a frieze drawer and two further drawers, the reverse of the central urn mount stamped 'P. S.'
34 ¼ in. (87 cm.) high; 456 in. (114.5 cm.) wide; 21 ¼ in. (54 cm.) deep
Special notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country. This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

Brought to you by

Giles Forster
Giles Forster

Lot Essay

This distinctive commode is based on a series of famous 18th century examples by Charles Topino, (maître 1773). The signature mounts of classical urns on a naturalistic ground can be found on many examples of Topino’s work. For an identical precedent, albeit of smaller dimensions, see the Champalimaud Collection, Christie’s, London, 6-7 July 2005, lot 25.

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