Lot Essay
The clan sign, Shi, cast on the interior of the foot of the present vessel is made up of two components: a hand on the left side, and a bamboo slip book on the lower right side, together giving the impression of a hand holding a book. This particular clan mark is associated with a person of official title who kept the historical records of the royal family, from whom the Shi clan were likely to have been descendants. A ding vessel dated to the late Shang dynasty, inscribed with the Shi clan sign on the interior of the mouth, is in the collection of the National Palace Museum, Taipei, and is illustrated in A Catalogue of Shang Dynasty Bronze Inscriptions: Ancient Chinese Script from the 1st Millennium B.C., Taipei, 1995, p. 48-49, no. 6.
This finely cast gu is associated with the 'mature' style of gu from Anyang (13th to 11th century BC), which all exhibit the same distinctive structure and the same decorative format of motifs. Gu were one of the most important vessels used in Shang ritual practices, attested to by the inclusion of fifty-three in the tomb of Fu Hao. See B. Kalgren and J. Wirgin, "Chinese Bronzes, The Nathanael Wessén Collection", The Museum of Far Eastern Antiquities Monograph Series, vol. 1, Stockholm, 1969, p. 74, for a discussion of the present gu and its origins from Anyang, where the authors note that "the workmanship of this vessel is of the highest class."
A similar gu of comparable size (31.5 cm. high) in the van der Mandele Collection is illustrated by H.F.E. Visser in Asiatic Art in Private Collections of Holland and Belgium, Amsterdam, 1948, pl. 5, no. 6. Another comparable example of the same size as the present gu from the Sze Yuan Tang Collection, was sold at Christie's New York, 16 September 2010, lot 809.
This finely cast gu is associated with the 'mature' style of gu from Anyang (13th to 11th century BC), which all exhibit the same distinctive structure and the same decorative format of motifs. Gu were one of the most important vessels used in Shang ritual practices, attested to by the inclusion of fifty-three in the tomb of Fu Hao. See B. Kalgren and J. Wirgin, "Chinese Bronzes, The Nathanael Wessén Collection", The Museum of Far Eastern Antiquities Monograph Series, vol. 1, Stockholm, 1969, p. 74, for a discussion of the present gu and its origins from Anyang, where the authors note that "the workmanship of this vessel is of the highest class."
A similar gu of comparable size (31.5 cm. high) in the van der Mandele Collection is illustrated by H.F.E. Visser in Asiatic Art in Private Collections of Holland and Belgium, Amsterdam, 1948, pl. 5, no. 6. Another comparable example of the same size as the present gu from the Sze Yuan Tang Collection, was sold at Christie's New York, 16 September 2010, lot 809.