ABI AL-TAYYIB AHMAD IBN AL-HUSAYN AL-MUTANABBI (D.965 AD): DIWAN
ABI AL-TAYYIB AHMAD IBN AL-HUSAYN AL-MUTANABBI (D.965 AD): DIWAN
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ABI AL-TAYYIB AHMAD IBN AL-HUSAYN AL-MUTANABBI (D.965 AD): DIWAN

COMMISSIONED BY KATIB 'ALWAN IBN 'ABD AL-NABI AND SIGNED MUHAMMAD MUSLIH AL-DIN AL-QUDS, OTTOMAN TURKEY, ISTANBUL, DATED 14 RABI' I AH 1011/1 SEPTEMBER 1602 AD

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ABI AL-TAYYIB AHMAD IBN AL-HUSAYN AL-MUTANABBI (D.965 AD): DIWAN
COMMISSIONED BY KATIB 'ALWAN IBN 'ABD AL-NABI AND SIGNED MUHAMMAD MUSLIH AL-DIN AL-QUDS, OTTOMAN TURKEY, ISTANBUL, DATED 14 RABI' I AH 1011/1 SEPTEMBER 1602 AD
Poetry arranged alphabetically, Arabic manuscript on cream paper, 235ff. plus five flyleaves, 15ll. of black naskh, arranged in two columns between gold and black intercolumnar rules, important words and phrases picked out and underlined in red, headings in gold thuluth outlined in black, within gold and polychrome rules, catchwords, copious marginal notes in black and red within polychrome outer rules, opening bifolio with contents in red, following folio in gold thuluth giving name of patron Katib 'Alwan ibn 'Abd al-Nabi, following bifolio with gold and polychrome illuminated headpiece and gold floral illuminated borders, signed and dated colophon, with later owners' notes and seal impressions, in brown morocco, yellow paper doublures
Text panel 7 ½ x 3 7/8in. (19 x 9.7cm.); folio 10 3/8 x 6in. (26.3 x 15cm.)
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Louise Broadhurst
Louise Broadhurst

Lot Essay

The natural talent of al-Mutanabbi, heightened by his studious personality, resulted in a vast poetic output that varied in style and content throughout his career. His sojourns in Kufa, Baghdad and Syria were key factors in defining and developing his style and reputation. While his fame increased under the patronage of Amir Badr al-Kharshani in Damascus, it was within the court of Hamanid leader Sayf al-Dawla in Aleppo that al-Mutanabbi’s literary career took off.

During his lifetime, al-Mutanabbi gained both fame for his remarkable literary proficiency and notoriety given his inflated aspirations and defiant individuality (Larkin, 2008, p. xi). Nonetheless, he remained surrounded by devoted admirers who defended him against his critics. Over time, the extent of his literary influence came to outweigh the critique of his character and from the eleventh century, his name became synonymous for “great poet” (Blachère, 1993, pp, 769-772).

The title page of the present anthology states that the manuscript was commissioned for the enjoyment of Katib 'Alwan ibn 'Abd al-Nabi, an official scribe of the Egyptian Diwan.

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