QUR'AN
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QUR'AN

OTTOMAN, PROBABLY MEDINA, 19TH CENTURY

Details
QUR'AN
OTTOMAN, PROBABLY MEDINA, 19TH CENTURY
Arabic manuscript on cream paper, 303ff. plus three flyleaves, 15ll. of black naskh, tajwid in red, within gold and black rules, gold and polychrome roundel verse markers, catchwords, sura headings in white thuluth on gold and polychrome illuminated panels, gold and polychrome marginal motifs, opening folio heavily gilt with rococo-style polychrome decoration framing 7ll. of black naskh in clouds reserved against a pricked gold ground, final folio with possibly later added colophon signed 'Abdullah al-Zuhdi known as Katib al-Haram al-Nabawi descendant of Tamim al-Dari and dated 10 Muharram AH 1271/3 October 1854 AD, the tail with gilt scrolling foliate tendril, in brown morocco with flap decorated with gold painted central medallion and border, red paper doublures
Text panel 3 3/8 x 2 1/8in. (8.6 x 5.4cm.); folio 5 3/8 x 3 5/8in. (13.6 x 9.1cm.)
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Louise Broadhurst
Louise Broadhurst

Lot Essay

The illumination of this Qur’an belongs to the decorative repertoire of the Ottoman-Baroque-Rococo style, which blends distinctly European features into the Ottoman taste. After Ottoman Turkish ambassadors were dispatched to Paris and Vienna, changes were sparked in Ottoman artistic and architectural production. Seen to reflect to Ottoman's establishment of a modern and cosmopolitan culture, European-style art and architecture was considered the most appropriate form of expression (Sardar, 2000). The opening bifolio of the present Qur'an demonstrates the elegant blend of the two styles. While the gold ground is pin-pricked with the Turkish cintamani motif, the vegetal motifs of the floral frame are reminiscent of rococo carved mirrors such as an eighteenth century example in the Victoria and Albert Museum (inv, no. 2388.1855).

A Qur'an with similar rococo-style illumination was sold in these Rooms, 25 October 2018, lot 243; see also Sotheby's, London, 22 April 2015, lot 76.

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