A 'LOTTO' RUG
A 'LOTTO' RUG
A 'LOTTO' RUG
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These lots have been imported from outside the EU … Read more PROPERTY FROM A PRIVATE CONNECTICUT COLLECTION
A 'LOTTO' RUG

PROBABLY USHAK, WEST ANATOLIA, FIRST HALF 17TH CENTURY

Details
A 'LOTTO' RUG
PROBABLY USHAK, WEST ANATOLIA, FIRST HALF 17TH CENTURY
Minor spots of light wear and old repair, corroded black, light blue original kilim strip at each end
5ft.5in. x 3ft.11in. (165cm. x 119cm.)
Provenance
European Noble collection
Christie's, London, 17 October 1996, lot 432

Special notice
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction. Specifed lots (sold and unsold) marked with a filled square ( ¦ ) not collected from Christie’s, 8 King Street, London SW1Y 6QT by 5.00 pm on the day of the sale will, at our option, be removed to Crown Fine Art (details below). Christie’s will inform you if the lot has been sent ofsite. If the lot is transferred to Crown Fine Art, it will be available for collection from 12.00 pm on the second business day following the sale. Please call Christie’s Client Service 24 hours in advance to book a collection time at Crown Fine Art. All collections from Crown Fine Art will be by prebooked appointment only.

Brought to you by

Louise Broadhurst
Louise Broadhurst

Lot Essay

The cloudband border design in this rug can be seen in paintings as early as 1611; the majority being illustrated during the period 1660-70 (O.Ydema, Carpets and their Datings in Netherlandish Painting 1540-1700, Zutphen, 1991, pp.36, diag.8.) These indicate that this rug could date from as early as the first quarter of the 17th century.

The rugs, when illustrated in paintings from the period, were generally depicted as table coverings, although, in some depictions, they are used on the floor. An unusual feature in this example is that each cloudband motif faces towards the field design. This would indicate that it was made to cover a surface with the border design which could be viewed from any side. A very similar example is housed in the Museum of Applied Arts, Budapest, inv.no. 7.969, however the endless repeat design is not as centralised as our example (M. Franses, In Praise of God, Anatolian Rugs in Transylvanian Churches, 1500-1750, Sabanci University, Istanbul, 2007, pl.7, p.138). A number of comparable examples are preserved in Hungary and Romania (Gyula Vegh and Karoli Layer, Turkish Rugs in Transylvania, London, 1977 reprint, pl.5; Ferenc Batari, Ottoman Turkish Carpets, Budapest, 1994, no.13, p.108). This latter example is particularly close to the present rug with its large scale cloudband motifs pointing away from the centre of the rug. Further comparable examples sold in these Rooms, in The Aita Collection, 18 October, 2001, lot 228, and 27 April, 2017, lot 186.







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