A LARGE TABRIZ CARPET
A LARGE TABRIZ CARPET
A LARGE TABRIZ CARPET
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A LARGE TABRIZ CARPET
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Specifed lots (sold and unsold) marked with a fill… Read more
A LARGE TABRIZ CARPET

NORTH WEST PERSIA, CIRCA 1890

Details
A LARGE TABRIZ CARPET
NORTH WEST PERSIA, CIRCA 1890
Finely woven, full pile throughout, overall excellent condition
20ft.7in. x 12ft.5in. (633cm. x 383cm.)
Special notice
Specifed lots (sold and unsold) marked with a filled square ( ¦ ) not collected from Christie’s, 8 King Street, London SW1Y 6QT by 5.00 pm on the day of the sale will, at our option, be removed to Crown Fine Art (details below). Christie’s will inform you if the lot has been sent ofsite. If the lot is transferred to Crown Fine Art, it will be available for collection from 12.00 pm on the second business day following the sale. Please call Christie’s Client Service 24 hours in advance to book a collection time at Crown Fine Art. All collections from Crown Fine Art will be by prebooked appointment only.

Brought to you by

Louise Broadhurst
Louise Broadhurst

Lot Essay

The couplet that repeatedly runs around the main border of this carpet is a passage from the Ghazaliyat of Hafiz no.34:
Ravaq-e manzar-e chashm-e man ashyaneh-ye tost, karam nama va foroud-a ke khaneh khaneyeh-ye tost,
'The vision of my eyes is of your house; be forgiving and join me since this house is your house'.

Khwāja Shams-ud-Dīn Muḥammad Ḥāfeẓ-e Shīrāzī, known by his pen name Hafez, was a Persian poet who "lauded the joys of love and wine but also targeted religious hypocrisy". His collected works are regarded as a pinnacle of Persian literature and are often found in the homes of people in the Persian speaking world, who learn his poems by heart and still use them as proverbs and sayings. His life and poems have been the subject of much analysis, commentary and interpretation, influencing post-14th century Persian writing more than any other author.

While the present carpet is not signed, the technical quality and finesse of its weave suggest that it would most certainly have been woven in a master weaver's workshop such as that of the great, Hadji Jalili.

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