Details
YORUBA COMB
NIGERIA
Height: 9 1⁄2 in. (24 cm.)
Provenance
Charles Ratton (1895-1986), Paris, in 1967
William Woodrow Brill (1918-2003), New York, inv. no. 238
Sotheby’s, New York, 17 November 2006, lot 154
Private Collection, New York
Guy Laliberté Collection
Literature
Germain, J., Art ancien de l’Afrique Noire, vol. IV, Montreal, 2008, pp. 46-47
M : la revue du Musée des beaux-arts de Montréal, Montreal, January 2008, p. 42
Exhibited
Milwaukee, Milwaukee Public Museum, Selections from The William W. Brill Collection of African Art, 5 May - 31 August 1969
St. Paul, Saint Paul Art Center, Selections from The William W. Brill Collection of African Art, 23 October - 21 December 1969
Duluth, University of Minnesota, Tweed Museum of Art, Selections from The William W. Brill Collection of African Art, 14 January - 22
February 1970
Montreal, Montreal Museum of Fine Arts, Afrique Sacrée II. Collections du MBAM, du Cirque du Soleil et du Musée Redpath de l’Université McGill, 19 November 2008 - November 2010
Further details
PEIGNE YORUBA, NIGERIA

Brought to you by

Alexis Maggiar
Alexis Maggiar International Head, African & Oceanic Art, Vice Chairman of Christie's France

Lot Essay

This ravishing example may be compared to two other, similar combs (cf. Christie’s, New York, 13 October 1978, lot 6, and Christie’s, London, 22 November 1988, lot 142) sculpted by the artist Akinyode, a descendant of Eshubiyi, who is thought to have been one of the principal founders of the Abeokuta workshops around 1862, and who passed away in 1937.

Cet exemplaire ravissant se rapproche de deux autres peignes similaires (Christie’s, New York, 13 octobre 1978, lot 6, et Christie’s, Londres, 22 novembre 1988, lot 142) sculptés par l’artiste Akinyode (décédé en 1937) descendant d’Eshubiyi, qui, autour de 1862, comptait comme l’un des principaux fondateurs des ateliers d’Abeokuta.

More from Guy Laliberté Collection

View All
View All