GIORGIO GHISI (1520-1582) AFTER GIOVANNI BATTISTA BERTANI (1516-1576)
PROPERTY FROM AN IMPORTANT FAMILY COLLECTION
GIORGIO GHISI (1520-1582) AFTER GIOVANNI BATTISTA BERTANI (1516-1576)

The Judgment of Paris

Details
GIORGIO GHISI (1520-1582) AFTER GIOVANNI BATTISTA BERTANI (1516-1576)
The Judgment of Paris
engraving, 1555, on laid paper, without watermark, a brilliant, tonal impression of the very rare second state (of three), printing richly and darkly, with intense contrasts and remarkable three-dimensionality, trimmed to or just outside the borderline, fractionally inside the subject at centre left and upper corners, several repaired tears, paper splits and other defects
Sheet 396 x 526 mm.
Provenance
Sir Joshua Reynolds (1723-1792), London (Lugt 2364), his mark on separate paper square attached to the mount.
Arthur Melville Champernowne (1871-1946), Dartington Hall, Totnes, Devon (Lugt 153).
A Family Collection, USA; probably acquired at Bassenge, Berlin, in 1979.
Literature
Bartsch 60; Lewis & Lewis 16

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Stefano Franceschi
Stefano Franceschi Specialist

Lot Essay

This large engraving was made by Giorgio Ghisi after a drawing by the Mantuan painter and architect Giovanni Battista Bertani, held today in the collection of the Musei Civici del Castello Visconteo, Pavia. The design borrows elements from Marcantonio's engraving of the same subject and the figure of Cupid in the Sala di Psiche in Palazzo Te by Giulio Romano, with whom Bertani trained in Mantua and subsequently succeeded as art director at the Gonzaga court in Mantua. Ghisi engraved the plate during his period in Antwerp, between 1550 and 1555, where he collaborated with the publisher Hieronymus Cock, whose address is present in the third final state. Of the present, very rare second state Lewis & Lewis and Boorsch recorded only one impression in a major public collection (Albertina, Vienna), and one of the first state (Fitzwilliam Museum, Cambridge).

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