A DERUTA MAIOLICA GOLD AND RUBY LUSTRED ‘BELLA DONNA’ CHARGER
A DERUTA MAIOLICA GOLD AND RUBY LUSTRED ‘BELLA DONNA’ CHARGER
A DERUTA MAIOLICA GOLD AND RUBY LUSTRED ‘BELLA DONNA’ CHARGER
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A DERUTA MAIOLICA GOLD AND RUBY LUSTRED ‘BELLA DONNA’ CHARGER

CIRCA 1515

细节
A DERUTA MAIOLICA GOLD AND RUBY LUSTRED ‘BELLA DONNA’ CHARGER
CIRCA 1515
Painted in shades of blue and gold and ruby lustre with the profile of a young woman wearing a winged headdress and facing to the left, the scrolling ribbon around her inscribed ORARE SEGRETO E MOLTO ACETTO ADDIO, the a quartieri border with panels of scale ornament alternating with foliage
15 ½ in. (39.5 cm.) diameter
来源
Baron Alphonse de Rothschild (1827-1905), by 1865.
Baron Édouard de Rothschild (1868-1949).
Confiscated from the above by the Einsatzstab Reichsleiter Rosenberg following the Nazi occupation of France in May 1940 (ERR no. R 4008).
Recovered by the Monuments Fine Arts and Archives Section from the Altaussee salt mines, Austria, and transferred to the Munich Central Collecting Point, 23 June 1945 (MCCP no. 343/1).
Returned to France on 9 January 1946 and restituted to the Rothschild family.
By descent to the present owners.
出版
Catalogue des objets d’art et de curiosité exposés au Musée Rétrospectif ouvert au Palais de l’Industrie en 1865, Paris, 1866, p. 243, no. 2659.
Collections de M. le baron Alphonse de Rothschild, circa 1900 (n.d.), Vol. I.
A. Clarke, Ideal Brides. Deruta Bella Donna Plates, c. 1500-1550, Rome, 2020, p. 391, no. 107.
展览
Paris, Palais de l’Industrie, Union Centrale des Beaux-Arts Appliqués à l’Industrie, Musée Rétrospectif, 1865, no. 2659.

拍品专文

In their 2004 exhibition catalogue, Giulio Busti and Franco Cocchi illustrate two bella donna chargers with young women wearing winged headdresses similar to the young woman’s in the present lot(1). Busti and Cocchi note the similarity of the position of the masks above their foreheads to a mask on the helmet of Leonidas Lacedemonio in the fresco of Uomini forti in the Sala dell’Udienze of the Collegio del Cambio, and they also note that wings feature in another Perugino fresco in the same room(2). The use of ruby lustre on this charger is unusual, as by the time of this charger’s production, ruby lustre was used infrequently at Deruta.

1. For a charger with ‘Giulia’ in the Museo Regionale della Ceramica, Deruta, see Giulio Busti and Franco Cocchi, La ceramica umbra al tempo di Perugino, Museo Regionale della Ceramica, Deruta, February – July 2004 Exhibition Catalogue, Milan, 2004, no. 34, and no. 35 for a lustred charger with ‘Madalena’ in the Louvre, Paris.
2. See Busti and Cocchi, ibid., 2004, p. 124.

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