AN ITALIAN MAIOLICA ARMORIAL TONDINO
AN ITALIAN MAIOLICA ARMORIAL TONDINO
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AN ITALIAN MAIOLICA ARMORIAL TONDINO

CIRCA 1500-1515, ALMOST CERTAINLY FAENZA

Details
AN ITALIAN MAIOLICA ARMORIAL TONDINO
CIRCA 1500-1515, ALMOST CERTAINLY FAENZA
Painted with a central shield inscribed with the initials P and F, surmounted by a fleur-de-lys and flanked by fluttering ribbons, the broad blue-ground border reserved with grotesques between borders of stick and bead ornament, the reverse with two registers of radiating interlocking lappets between blue bands, with printed label inscribed 'P. 48 / E. de R./ 321' for Edouard de Rothschild
9 5⁄8 in. (24.5 cm.) diameter
Provenance
Baron Alphonse de Rothschild (1827-1905).
Baron Édouard de Rothschild (1868-1949).
Confiscated from the above by the Einsatzstab Reichsleiter Rosenberg following the Nazi occupation of France in May 1940 (ERR no. R 4049).
Recovered by the Monuments Fine Arts and Archives Section from the Altaussee salt mines, Austria, and transferred to the Munich Central Collecting Point, 23 June 1945 (MCCP no. 348/7).
Returned to France on 9 January 1946 and restituted to the Rothschild family.
By descent to the present owners.
Literature
Collections de M. le baron Alphonse de Rothschild, circa 1900 (n.d.), Vol. I.

Lot Essay

The arms (azure a mount of three peaks or surmounted by flames gules), are currently unidentified. Another example from this service (sold by Christie’s, Paris on 5 November 2014, lot 5) is illustrated by Timothy Wilson, The Golden Age of Italian Maiolica-Painting, Turin, 2018, pp. 130-131, no. 53, where it is attributed to Faenza. Two armorial broad-rimmed bowls in the British Museum with related but slightly different decoration (also with radiating lappets on the reverses) are identified as possibly Faenza or perhaps Siena(1). In 1909 the maiolica scholar Gaetano Ballardini wrote to the scholar, collector and benefactor C. Drury E. Fortnum informing him that fragments with very similar decoration had been excavated at Faenza, and fragments in the Museo Internazionale delle Ceramiche in Faenza also support a Faentine attribution(2).

1. This attribution is based on the crossed diamond marks appearing on the reverse of two other pieces in the set, of a type associated with Siena or Montelupo, and an alla porcellana design which is similar to an armorial piece which bears Sienese arms. See Dora Thornton and Timothy Wilson, Italian Renaissance Ceramics, A Catalogue of the British Museum Collection, London, 2009, Vol. I, pp. 182-183.
2. Noted by Thornton and Wilson, ibid., 2009, Vol. I, p. 183.

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