FLORENTINE SCHOOL, CIRCA 1600
FLORENTINE SCHOOL, CIRCA 1600
FLORENTINE SCHOOL, CIRCA 1600
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Centuries of Taste: Legacy of a Private Collection
FLORENTINE SCHOOL, CIRCA 1600

Two grey terracotta vases with carnations, columbines and peonies

Details
FLORENTINE SCHOOL, CIRCA 1600
Two grey terracotta vases with carnations, columbines and peonies
oil on canvas
20 ¼ x 25 3⁄8 in. (51.4 x 64.5 cm.)
Provenance
Silvano Lodi (1924-2020), Campione d'Italia, Lombardy; his sale, [Italian Still Life Paintings from the Lodi Collection], Christie's, New York, 6 April 2006, lot 53, as 'Jacopo Ligozzi', where acquired by the present owner.
Literature
R. Weiss-Block, Natura Morta Italiana, exhibition catalogue, Jerusalem, 1994, p. 24, no. 5, as 'Jacopo Ligozzi'.
Exhibited
Jerusalem, Israel Museum, Fruits of the Brush: 400 Years of Italian Still-Life Painting from the Collection of Silvano Lodi, June-October 1994, no. 5, p. 24, as 'Jacopo Ligozzi'.
Tokyo, Seiji Togo Memorial Yasuda Kasai Museum of Art; Niigata, City Art Museum; Hokkaido, Hakodate Museum of Art; Toyama, Shimin Plaza Art Gallery; Ashikaga, Museum of Art; Yamagata, Museum of Art, Italian Still Life Painting, from the Silvano Lodi Collection, 28 April 2001 - 6 May 2002, no. 3, as 'Jacopo Ligozzi'.
Ravensburg, Schloss Achberg, Natura Morte Italiana: Italienische Stillleben aus vier Jahrhunderten, Sammlung Silvano Lodi, 11 April - 12 October 2003, p. 30, as 'Jacopo Ligozzi'.

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Taylor Alessio
Taylor Alessio Junior Specialist, Head of Part II

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Lot Essay

This strikingly minimalist still life, with grey terracotta vases of flowers on a ledge, was at one time accompanied by a contrasting pendant, depicting two red terracotta vases filled with lilies, carnations, iris, verbena and other flowers (sold Christie's, London, 6 July 2006, lot 30). At the time of its sale in 2006, the present painting was published with an entry by John T. Spike, who considered it to be an exceptionally rare example of still-life painting by the Florentine painter, Jacopo Ligozzi, dating from as early as 1600 (loc. cit.). In addition to the pendant pair depicting flowers in terracotta vases, Spike gave two other still-life paintings to the artist, a pair, each representing individual vases of flowers (J.T. Spike, The Sense of Pleasure, Milan, 2002, nos. 5-6). The attribution of this still-life group to Jacopo Ligozzi has more recently been rejected, however, and it has been suggested the present canvas might be the work of a painter active in Spain.

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