ABRAHAM VAN DIJCK (AMSTERDAM 1635⁄1636-1680 DORDRECHT)
ABRAHAM VAN DIJCK (AMSTERDAM 1635⁄1636-1680 DORDRECHT)
ABRAHAM VAN DIJCK (AMSTERDAM 1635⁄1636-1680 DORDRECHT)
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ABRAHAM VAN DIJCK (AMSTERDAM 1635⁄1636-1680 DORDRECHT)

An old woman reading (recto); Figure sketches (verso)

細節
ABRAHAM VAN DIJCK (AMSTERDAM 1635⁄1636-1680 DORDRECHT)
An old woman reading (recto); Figure sketches (verso)
pen and brown ink, brown wash, touches of watercolor (recto); pen and brown ink (verso), ink framing lines
4 3⁄8 x 3 ¼ in. (11.3 x 8.2 cm)
來源
William Esdaile (1758-1837), London (L. 2617).
Eduard Faesch (1812-1845), Kiel (according to inscription on verso).
Adalbert Freiherr von Lanna (1836-1909), Prague (L. 2773); Gutekunst, Stuttgart, 6-11 May 1910, lot 462.
Bernard Berenson (1865-1959), Florence; bequeathed to
Luisa Vertova (1920-2021); Christie's, New York, 28 January 2020, lot 53.
出版
D. De Witt, Life and Work of a Late Rembrandt Pupil. Abraham Van Dijck (c. 1635-1680), Zwolle, 2020, D26, ill.

榮譽呈獻

Giada Damen, Ph.D.
Giada Damen, Ph.D. AVP, Specialist, Head of Sale

拍品專文

The style of the drawing is characteristic of Van Dijck’s graphic work: dry and irregular contour lines combined with rich tonal wash. The artist often depicted both young and mature women, in paintings and in drawings, seated alone knitting or reading. By isolating individual figures in his works, Van Dijck created a sense of concentrated monumentally that was greatly admired by many commentators and often caused his drawings to be attributed to his master Rembrandt Van Rijn (De Witt, op. cit., p. 45).

This drawing was in the collection of the important American art historian Bernard Berenson, who gifted it to his pupil Luisa Vertova.

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