JAN VICTORS (AMSTERDAM 1619-1676 EAST INDIES)
JAN VICTORS (AMSTERDAM 1619-1676 EAST INDIES)
JAN VICTORS (AMSTERDAM 1619-1676 EAST INDIES)
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JAN VICTORS (AMSTERDAM 1619-1676 EAST INDIES)

Portrait of a gentleman, seated at a table

Details
JAN VICTORS (AMSTERDAM 1619-1676 EAST INDIES)
Portrait of a gentleman, seated at a table
signed and dated '[...] Victors 1640' (upper right)
oil on canvas
41 ½ x 35 ½ in. (105.4 x 90.2 cm.)
Provenance
Lieutenant-Colonel Henry William Edmund Petty-Fitzmaurice (1872-1936), 6th Marquess of Lansdowne, Landsdowne House, Berkeley Square; his sale, Christie's, London, 7 March 1930, lot 35, as Ferdinand Bol, 750 gns. to the following,
with P. & D. Colnaghi & Co., London, by 1936.
Anonymous sale; Christie's, London, 19 January 1945, lot 133.
Carlos A. Zemborain, Buenos Aires, before 1989.
Anonymous sale; J.C. Naón & Cía S.A, Buenos Aires, 13 November 2024, lot 20, where acquired by the present owner.
Literature
W. Bürger-Thoré, Musées de la Hollande, II, Brussels, 1858-1860, p. 29.
A. Blankert, Ferdinand Bol (1616-1680): Rembrandt's Pupil, Doornspijk, 1982, p. 181, no. 174, as Dutch School 17th century, unsigned and undated.
D. Miller, Jan Victors, 1619-1676, Ph.D. dissertation, University of Delaware, 1985, pp. 37, 82, 114 and 279, no. A 2, illustrated.
W. Sumowski, Gemälde der Rembrandt-Schüler, IV, Landau/Pfalz, 1989, pp. 2616 and 2712, illustrated.
Exhibited
London, Royal Academy, Winter Exhibition, 1884, no. 76, as Albert Cuyp.
Amsterdam, Rijksmuseum, Tentoonstelling Oude Kunst uit het bezit van den internationalen handel, 1936, no. 162.

Brought to you by

Taylor Alessio
Taylor Alessio Junior Specialist, Head of Part II

Lot Essay

This portrait is first recorded in the 1884 Royal Academy exhibition as by Aelbert Cuyp, before appearing in the 1930 collection sale of Henry William Edmund Petty-Fitzmaurice, 6th Marquess of Landsdowne, as the work of Ferdinand Bol (loc. cit.). The painting must have been cleaned at some point before it reappeared at auction fifteen years later, as Jan Victors' signature and the date were revealed at upper right, having previously been hidden under a crest that had been added at a later date. In her 1985 PhD dissertation, Debra Miller recognized this painting among Victors' earliest portraits (loc. cit.). Victors, like Bol, is thought to have trained in the workshop of Rembrandt van Rijn, though there is no documentary evidence to support this. While he started and ended his career painting portraits, in the intervening thirty years he focused on large-scale biblical subjects and everyday scenes. After the mid-1650s Victors abandoned his painting career and became ziekentrooster ('comforter of the sick'), for the Dutch East India Company. He travelled to the East Indies in 1676 and likely spent the rest of his life there.

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