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Elaine: The Collection of Elaine Wynn
JOSEPH MALLORD WILLIAM TURNER, R.A. (LONDON 1775-1851)
Ehrenbreitstein, or The Bright Stone of Honour and the Tomb of Marceau, from Byron’s 'Childe Harold's Pilgrimage'
細節
JOSEPH MALLORD WILLIAM TURNER, R.A. (LONDON 1775-1851)
Ehrenbreitstein, or The Bright Stone of Honour and the Tomb of Marceau, from Byron’s 'Childe Harold's Pilgrimage'
oil on canvas
36 x 48 ¼ in. (91.5 x 122.6 cm.)
Ehrenbreitstein, or The Bright Stone of Honour and the Tomb of Marceau, from Byron’s 'Childe Harold's Pilgrimage'
oil on canvas
36 x 48 ¼ in. (91.5 x 122.6 cm.)
來源
Acquired directly from the artist in 1844 by Elhanan Bicknell (1788–1861), Carlton House, Herne Hill, Dulwich; his deceased sale, Christie’s, London, 25 April 1863, lot 118, to Agnew’s on behalf of,
Ralph Brocklebank (1803–1892), Childwall Hall, Liverpool, and by descent to his second son,
Thomas Brocklebank (1841–1919), Wateringbury Place, Kent and Villa San Leonardo, Florence, and by descent to his third son,
Captain Henry Cyril Royds Brocklebank, CBE, RN (1874–1957), Dorset and Wiltshire, sold by his trustees through Agnew’s in 1942 to,
Wentworth Henry Canning Beaumont, 2nd Viscount Allendale (1890–1956), Bywell Hall, Stocksfield-on-Tyne, Northumberland, and by descent to his son,
Wentworth Hubert Charles Beaumont, 3rd Viscount Allendale (1922–2002), Bywell Hall, Stocksfield-on-Tyne, Northumberland, and by whom sold,
[The Property of the Rt. Hon. The Viscount Allendale, B.L.]; Sotheby’s, London, 7 July 1965, lot 90, to Agnew’s, acting on behalf of the following,
Private collection, England, and by descent until sold,
[Property from an English Private Collection]; Sotheby's, London, 5 July 2017, lot 21, where acquired by the late owner.
Ralph Brocklebank (1803–1892), Childwall Hall, Liverpool, and by descent to his second son,
Thomas Brocklebank (1841–1919), Wateringbury Place, Kent and Villa San Leonardo, Florence, and by descent to his third son,
Captain Henry Cyril Royds Brocklebank, CBE, RN (1874–1957), Dorset and Wiltshire, sold by his trustees through Agnew’s in 1942 to,
Wentworth Henry Canning Beaumont, 2nd Viscount Allendale (1890–1956), Bywell Hall, Stocksfield-on-Tyne, Northumberland, and by descent to his son,
Wentworth Hubert Charles Beaumont, 3rd Viscount Allendale (1922–2002), Bywell Hall, Stocksfield-on-Tyne, Northumberland, and by whom sold,
[The Property of the Rt. Hon. The Viscount Allendale, B.L.]; Sotheby’s, London, 7 July 1965, lot 90, to Agnew’s, acting on behalf of the following,
Private collection, England, and by descent until sold,
[Property from an English Private Collection]; Sotheby's, London, 5 July 2017, lot 21, where acquired by the late owner.
出版
G.F. Waagen, Works of art and artists in England, II, London, 1838, p. 152.
P. Cunningham, 'The Memoir', Turner and his works, J. Burnet ed., London, 1852, p. 117, no. 183.
W. Thornbury, The life of J.M.W. Turner, R.A., I, 1st ed., London, 1862, pp. 326–27 and 380; 2nd ed., London, 1877, pp. 162, 452, 563, 578, 599 and 610, no. 189.
F. Wedmore, Turner and Ruskin, II, London, 1900, opposite p. 234, illustrating the engraving.
C.F. Bell, A list of works contributed to public exhibitions by J.M.W. Turner, London, 1901, p. 126, no. 195.
Sir W. Armstrong, Turner, London, 1902, pp. 120, 221, illustrated opposite p. 146.
G. Rawlinson, The engraved work of J.M.W. Turner, R.A., II, London, 1913, pp. 206, 208, 342-343 and 358, no. 662, citing the engravings by J. Pye and J. Cousen.
T. Whitley, Art in England 1821–1837, Cambridge, 1930, p. 298.
J. Evans and J. Howard Whitehouse eds., The diaries of John Ruskin, 1835–1847, Oxford, 1956, pp. 268, 270.
A.J. Finberg, The life of J.M.W. Turner, R.A., 2nd ed., London, 1961, pp. 355, 399 and 499, no. 460.
J. Rothenstein and M. Butlin, Turner, London, 1964, p. 56.
J. Lindsay, J.M.W. Turner: his life and work, New York and London, 1966, p. 187.
G. Reynolds, Turner, London, 1969, p. 81.
M. Butlin and E. Joll, The paintings of J.M.W. Turner, New Haven and London, 1977, I, pp. 192–193, no. 361, II, plate 366.
A. Wilton, Turner and the Sublime, exhibition catalogue, Chicago and London, 1980, p. 97, note 60.
J. Gage ed., Collected correspondence of J.M.W. Turner, Oxford, 1980, pp. 157–58 and 240.
M. Butlin and E. Joll, The paintings of J.M.W. Turner, New Haven and London, 1984, I, pp. 211–12, no. 361, II, plate 366.
P. Bicknell and H. Guiterman, ‘The Turner Collector: Elhanan Bicknell’, Turner Studies, VII, no. 1, Summer 1987, pp. 38, 41 and 43–44.
C. Powell, Turner’s Rivers of Europe: The Rhine, Meuse and Mosel, exhibition catalogue, London, 1991, pp. 46, 70 and 126, no. 41, illustrated.
D. Blayney Brown, Turner and Byron, exhibition catalogue, London, 1992, pp. 36–37, 56, 63, 68 and 93–94, illustrated.
C. Powell, Turner in Germany, exhibition catalogue, London, 1995, pp. 15, 18, 46-47, 73, 76 and 181-182, note 50, under no. 110.
J. Hamilton, Making Painting: Helen Frankenthaler and JMW Turner, exhibition catalogue, 2014, pp. 27, 59, 83 and 90, no. 6, illustrated.
D. Blaney Brown, A. Concannon and S. Smiles eds., The EY Exhibition: Late Turner – Painting Set Free, exhibition catalogue, London, 2014, p. 149, no. 88, illustrated.
P. Cunningham, 'The Memoir', Turner and his works, J. Burnet ed., London, 1852, p. 117, no. 183.
W. Thornbury, The life of J.M.W. Turner, R.A., I, 1st ed., London, 1862, pp. 326–27 and 380; 2nd ed., London, 1877, pp. 162, 452, 563, 578, 599 and 610, no. 189.
F. Wedmore, Turner and Ruskin, II, London, 1900, opposite p. 234, illustrating the engraving.
C.F. Bell, A list of works contributed to public exhibitions by J.M.W. Turner, London, 1901, p. 126, no. 195.
Sir W. Armstrong, Turner, London, 1902, pp. 120, 221, illustrated opposite p. 146.
G. Rawlinson, The engraved work of J.M.W. Turner, R.A., II, London, 1913, pp. 206, 208, 342-343 and 358, no. 662, citing the engravings by J. Pye and J. Cousen.
T. Whitley, Art in England 1821–1837, Cambridge, 1930, p. 298.
J. Evans and J. Howard Whitehouse eds., The diaries of John Ruskin, 1835–1847, Oxford, 1956, pp. 268, 270.
A.J. Finberg, The life of J.M.W. Turner, R.A., 2nd ed., London, 1961, pp. 355, 399 and 499, no. 460.
J. Rothenstein and M. Butlin, Turner, London, 1964, p. 56.
J. Lindsay, J.M.W. Turner: his life and work, New York and London, 1966, p. 187.
G. Reynolds, Turner, London, 1969, p. 81.
M. Butlin and E. Joll, The paintings of J.M.W. Turner, New Haven and London, 1977, I, pp. 192–193, no. 361, II, plate 366.
A. Wilton, Turner and the Sublime, exhibition catalogue, Chicago and London, 1980, p. 97, note 60.
J. Gage ed., Collected correspondence of J.M.W. Turner, Oxford, 1980, pp. 157–58 and 240.
M. Butlin and E. Joll, The paintings of J.M.W. Turner, New Haven and London, 1984, I, pp. 211–12, no. 361, II, plate 366.
P. Bicknell and H. Guiterman, ‘The Turner Collector: Elhanan Bicknell’, Turner Studies, VII, no. 1, Summer 1987, pp. 38, 41 and 43–44.
C. Powell, Turner’s Rivers of Europe: The Rhine, Meuse and Mosel, exhibition catalogue, London, 1991, pp. 46, 70 and 126, no. 41, illustrated.
D. Blayney Brown, Turner and Byron, exhibition catalogue, London, 1992, pp. 36–37, 56, 63, 68 and 93–94, illustrated.
C. Powell, Turner in Germany, exhibition catalogue, London, 1995, pp. 15, 18, 46-47, 73, 76 and 181-182, note 50, under no. 110.
J. Hamilton, Making Painting: Helen Frankenthaler and JMW Turner, exhibition catalogue, 2014, pp. 27, 59, 83 and 90, no. 6, illustrated.
D. Blaney Brown, A. Concannon and S. Smiles eds., The EY Exhibition: Late Turner – Painting Set Free, exhibition catalogue, London, 2014, p. 149, no. 88, illustrated.
展覽
London, Royal Academy of Arts, 1835, no. 74.
Liverpool, Arts Club, Loan collection of oil paintings by British artists born before 1801, 1881, no. 38.
London, Royal Academy, Exhibition of works by Old Masters and by deceased Masters of the British School, Winter Exhibition, 1883, no. 211.
London, Guildhall Art Gallery, Loan collection of pictures and drawings by J.M.W. Turner, R.A., and of a selection of pictures by some of his contemporaries, 1899, no. 33.
London, Agnew’s, Loan exhibition of paintings and watercolours by J.M.W. Turner, R.A., 1 November – 2 December 1967, no. 19.
Paris, Petit Palais, Le peinture romantique anglaise et les Preraphaelites, January – April 1972, no. 266.
King’s Lynn, The Fermoy Art Gallery, A collection of the nineteen-sixties, 22 July – 5 August 1972, no. 22.
Berlin, Nationalgalerie Staatliche Museen Preussischer Kulturbesitz, J.M.W. Turner: der maler des lichts, 15 September – 6 November 1972, no. 19.
London, Victoria and Albert Museum, Byron, 30 May – 25 August 1974, no. S38.
London, Royal Academy, Turner 1775–1851, 16 November 1974 – 2 March 1975, no. 514.
Hamburg, Hamburger Kunsthalle, William Turner und die landschaft seiner zeit, 1976, no. 106.
Paris, Grand Palais, J.M.W. Turner, 14 October 1983 – 16 January 1984, no. 59.
London, Tate Gallery, Turner’s Rivers of Europe: The Rhine, Meuse and Mosel, 11 September 1991 – 26 January 1992, no. 41.
Essen, Museum Folkwang Essen; Zurich, Kunsthaus Zürich, William Turner, licht und farbe, 15 September 2001 – 6 January 2002; 1 February – 26 May 2002, no. 192.
Margate, Turner Contemporary, Making Painting: Helen Frankenthaler and J.M.W. Turner, 25 January – 11 May 2014, no. 6.
London, Tate Britain; Los Angeles, J. Paul Getty Museum; San Francisco, de Young Fine Arts Museum of San Francisco, The EY Exhibition: Late Turner – Painting Set Free, 10 September 2014 – 25 January 2015; 24 February – 24 May 2015; 20 June – 20 September 2015, no. 88.
Oxford, The Ashmolean Museum, on loan, 2004 to 2017.
Liverpool, Arts Club, Loan collection of oil paintings by British artists born before 1801, 1881, no. 38.
London, Royal Academy, Exhibition of works by Old Masters and by deceased Masters of the British School, Winter Exhibition, 1883, no. 211.
London, Guildhall Art Gallery, Loan collection of pictures and drawings by J.M.W. Turner, R.A., and of a selection of pictures by some of his contemporaries, 1899, no. 33.
London, Agnew’s, Loan exhibition of paintings and watercolours by J.M.W. Turner, R.A., 1 November – 2 December 1967, no. 19.
Paris, Petit Palais, Le peinture romantique anglaise et les Preraphaelites, January – April 1972, no. 266.
King’s Lynn, The Fermoy Art Gallery, A collection of the nineteen-sixties, 22 July – 5 August 1972, no. 22.
Berlin, Nationalgalerie Staatliche Museen Preussischer Kulturbesitz, J.M.W. Turner: der maler des lichts, 15 September – 6 November 1972, no. 19.
London, Victoria and Albert Museum, Byron, 30 May – 25 August 1974, no. S38.
London, Royal Academy, Turner 1775–1851, 16 November 1974 – 2 March 1975, no. 514.
Hamburg, Hamburger Kunsthalle, William Turner und die landschaft seiner zeit, 1976, no. 106.
Paris, Grand Palais, J.M.W. Turner, 14 October 1983 – 16 January 1984, no. 59.
London, Tate Gallery, Turner’s Rivers of Europe: The Rhine, Meuse and Mosel, 11 September 1991 – 26 January 1992, no. 41.
Essen, Museum Folkwang Essen; Zurich, Kunsthaus Zürich, William Turner, licht und farbe, 15 September 2001 – 6 January 2002; 1 February – 26 May 2002, no. 192.
Margate, Turner Contemporary, Making Painting: Helen Frankenthaler and J.M.W. Turner, 25 January – 11 May 2014, no. 6.
London, Tate Britain; Los Angeles, J. Paul Getty Museum; San Francisco, de Young Fine Arts Museum of San Francisco, The EY Exhibition: Late Turner – Painting Set Free, 10 September 2014 – 25 January 2015; 24 February – 24 May 2015; 20 June – 20 September 2015, no. 88.
Oxford, The Ashmolean Museum, on loan, 2004 to 2017.
刻印
John Pye, 1845.
J. Cousen, for the Turner Gallery, 1859.
J. Cousen, for the Turner Gallery, 1859.
榮譽呈獻
Imogen Kerr
Vice President, Senior Specialist, Co-Head of 20th Century Evening Sale