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Les Andelys, les bains (Opus no. 137, Les bains à Lucas)
Details
                                        
                                            PAUL SIGNAC (1863-1935)
Les Andelys, les bains (Opus no. 137, Les bains à Lucas)
signed, dated and dedicated 'A mon bon cher maître C. Pissarro P. Signac 86' (lower left)
oil on canvas
13 3⁄8 x 18 ½ in. (34 x 47 cm.)
Painted in August 1886
 
                                        
                                    Les Andelys, les bains (Opus no. 137, Les bains à Lucas)
signed, dated and dedicated 'A mon bon cher maître C. Pissarro P. Signac 86' (lower left)
oil on canvas
13 3⁄8 x 18 ½ in. (34 x 47 cm.)
Painted in August 1886
Provenance
                                        
                                            Camille Pissarro, Paris (gift from the artist, 1886); Estate sale, Galeries Georges Petit, Paris, 3 December 1928, lot 91.
Mme Vimont-Vacary, France (acquired at the above sale).
François Estier, Paris; Estate sale, Hôtel Drouot, Paris, 5 December 1940, lot 36.
Alphonse Bellier, Paris.
Private collection, Switzerland; sale, Christie's, London, 2 December 1975, lot 61.
The Lefevre Gallery (Alex. Reid & Lefevre Ltd.), London.
Acquired from the above by the Blaquier Family.
                                    Mme Vimont-Vacary, France (acquired at the above sale).
François Estier, Paris; Estate sale, Hôtel Drouot, Paris, 5 December 1940, lot 36.
Alphonse Bellier, Paris.
Private collection, Switzerland; sale, Christie's, London, 2 December 1975, lot 61.
The Lefevre Gallery (Alex. Reid & Lefevre Ltd.), London.
Acquired from the above by the Blaquier Family.
Literature
                                        
                                            The Artist’s Handlist (Cahier d’Opus), no. 137 (titled Les Bains à Lucas).
F. Fénéon, "L'Impressionisme aux Tuileries" in L'Art moderne, no. 38, 19 September 1886, p. 301.
J.M. Watson, ed., "Paul Signac’s Works at Marlborough Gallery" in The Scotsman, 12 March 1954, p. 12.
B.N., "Current and Forthcoming Exhibition" in The Burlington Magazine, vol. XCVI, no. 613, April 1954, p. 130 (illustrated, p. 128, fig. 38).
M.-T. de Forges, "L'Exposition Paul Signac au Musée du Louvre" in La revue du Louvre et des musées de France, no. 6, 1963, p. 247 (illustrated, fig. 2).
P. Mornand, "Paul Signac au Musée du Louvre" in La revue moderne des arts et de la vie, 1 February 1964, p. 2.
A. Mura, Paul Signac, Milan, 1966 (illustrated in color, pl. IV).
K. Adler, Camille Pissarro: A Biography, London, 1978, p. 111.
S. Monneret, L'impressionnisme et son époque: Dictionnaire international, Noms propre A à T, Paris, 1978, vol. I, pp. 871-872.
J. Rewald, Post-Impressionism: From Van Gogh to Gauguin, exh. cat., The Museum of Modern Art, New York, 1978, p. 54 (illustrated; titled Bathhouse on the Seine).
R. Cándida Smith, Mallarmé's Children: Symbolism and the Renewal of Experience, Berkeley, 1999, p. 219.
F. Cachin, Signac: Catalogue raisonné de l'œuvre peint, Paris, 1999, p. 175, no. 123 (illustrated).
Signac, exh. cat., Galeries nationales du Grand Palais, Paris, 2001, p. 123.
Signac collectionneur, exh. cat., Musée d’Orsay, Paris, 2021, p. 42 (illustrated in color, p. 44).
                                    F. Fénéon, "L'Impressionisme aux Tuileries" in L'Art moderne, no. 38, 19 September 1886, p. 301.
J.M. Watson, ed., "Paul Signac’s Works at Marlborough Gallery" in The Scotsman, 12 March 1954, p. 12.
B.N., "Current and Forthcoming Exhibition" in The Burlington Magazine, vol. XCVI, no. 613, April 1954, p. 130 (illustrated, p. 128, fig. 38).
M.-T. de Forges, "L'Exposition Paul Signac au Musée du Louvre" in La revue du Louvre et des musées de France, no. 6, 1963, p. 247 (illustrated, fig. 2).
P. Mornand, "Paul Signac au Musée du Louvre" in La revue moderne des arts et de la vie, 1 February 1964, p. 2.
A. Mura, Paul Signac, Milan, 1966 (illustrated in color, pl. IV).
K. Adler, Camille Pissarro: A Biography, London, 1978, p. 111.
S. Monneret, L'impressionnisme et son époque: Dictionnaire international, Noms propre A à T, Paris, 1978, vol. I, pp. 871-872.
J. Rewald, Post-Impressionism: From Van Gogh to Gauguin, exh. cat., The Museum of Modern Art, New York, 1978, p. 54 (illustrated; titled Bathhouse on the Seine).
R. Cándida Smith, Mallarmé's Children: Symbolism and the Renewal of Experience, Berkeley, 1999, p. 219.
F. Cachin, Signac: Catalogue raisonné de l'œuvre peint, Paris, 1999, p. 175, no. 123 (illustrated).
Signac, exh. cat., Galeries nationales du Grand Palais, Paris, 2001, p. 123.
Signac collectionneur, exh. cat., Musée d’Orsay, Paris, 2021, p. 42 (illustrated in color, p. 44).
Exhibited
                                        
                                            Paris, Bâtiment B aux Tuileries, IIe Salon des Artistes Indépendants, August-September 1886, p. 23, no. 369 (titled Les bains à Lucas).
Paris, Galerie Bernheim-Jeune, Exposition Paul Signac, May 1930, no. 4 (illustrated; titled Bains sur la Seine).
Paris, Musée national d'art moderne, P. Signac, October-December 1951, p. 12, no. 7.
London, Marlborough Fine Art Ltd., Paul Signac: Retrospective Exhibition, March-April 1954, p. 25, no. 8.
Winterthur, Kunstmuseum, Europäische Meister, 1790-1910, June-July 1955, p. 47, no. 177.
Paris, Galerie Jean-Claude et Jacques Bellier, Les Néo-impressionnistes, June-July 1961, p. 17, no. 35.
Paris, Musée du Louvre, Signac, December 1963-February 1964, pp. 14-16, no. 15 (illustrated, p. 14).
Paris, Galerie Hervé, Quelques tableaux de maîtres néo-impressionnistes, May-June 1967, p. 26, no. 48 (illustrated, p. 27).
                                    Paris, Galerie Bernheim-Jeune, Exposition Paul Signac, May 1930, no. 4 (illustrated; titled Bains sur la Seine).
Paris, Musée national d'art moderne, P. Signac, October-December 1951, p. 12, no. 7.
London, Marlborough Fine Art Ltd., Paul Signac: Retrospective Exhibition, March-April 1954, p. 25, no. 8.
Winterthur, Kunstmuseum, Europäische Meister, 1790-1910, June-July 1955, p. 47, no. 177.
Paris, Galerie Jean-Claude et Jacques Bellier, Les Néo-impressionnistes, June-July 1961, p. 17, no. 35.
Paris, Musée du Louvre, Signac, December 1963-February 1964, pp. 14-16, no. 15 (illustrated, p. 14).
Paris, Galerie Hervé, Quelques tableaux de maîtres néo-impressionnistes, May-June 1967, p. 26, no. 48 (illustrated, p. 27).
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                Imogen Kerr
            
            
                Vice President, Senior Specialist, Co-Head of 20th Century Evening Sale