XU BEIHONG (1895-1953)
XU BEIHONG (1895-1953)
XU BEIHONG (1895-1953)
1 More
XU BEIHONG (1895-1953)
4 More
Property from a European Private Collection
XU BEIHONG (1895-1953)

Coq

Details
XU BEIHONG (1895-1953)
Coq
Encadré sous verre, encre et couleur sur papier.
Inscrit et signé avec deux cachets de l'artiste.
Dimensions : 109,9 x 54,5 cm. (43 ¼ x 21 ½ in.)
Provenance
Formerly in the collection of Dr. Marietta Lutze (1919-2019) and Dr. Arthur M. Sackler (1913-1987), by repute, gifted to the current owner within the past fifty to seventy years.
Further details
XU BEIHONG (1895-1953)
Rooster
Framed and glazed, ink and colour on paper
Inscribed and signed with two seals of the artist

Brought to you by

Tiphaine Nicoul
Tiphaine Nicoul Head of department

Lot Essay

This striking work was painted in the early spring of 1950, a period marking both the dawn of a new era in China and the pinnacle of Xu Beihong’s artistic maturity, during his tenure as the first president of the Central Academy of Fine Arts. Executed with Xu’s characteristic synthesis of Western naturalism and Chinese brushwork, the rooster is depicted with dynamic precision. Its formidable posture, crimson comb, piercing gaze, and powerful claws convey a vigilant and heroic spirit, evoking the ancient idiom that “the rooster’s crow dispels the darkness and heralds the dawn.”
More than a simple avian subject, the rooster was one of Xu’s most potent symbolic motifs, representing courage, vigilance, and the awakening of the nation. The inscription Peace (Ping An) transforms the painting into a profound political and personal statement, expressing both a hopeful prayer for stability in a nascent state and a heartfelt wish for tranquility at the year’s end.

More from Art d'Asie

View All
View All