Can Can - A Gallop in Pantalettes

The can-can was a lively, high-energy dance that became popular in France in the mid‑19th century. Initially performed by four or more couples, it later evolved into a chorus-line routine as its fame spread through French cabarets. Viewed as scandalous at the time, the dance even prompted calls for it to be banned. Toulouse-Lautrec, renowned for capturing the colorful underbelly of Parisian life, mused that “A professional model is like a stuffed owl. These girls are alive.”

Horses played a vital role in Chinese life from pre-dynastic times, having been introduced through western nomadic cultures. In addition to their essential use in transportation and warfare, horses came to symbolize status and wealth. This significance is reflected in their representation in tombs as figures made of pottery, bronze, and stone. The pair of small bronze legs in this box was most likely used to support some kind of stand or raised tray.