UTAGAWA HIROSHIGE (1797-1858)
UTAGAWA HIROSHIGE (1797-1858)
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Property from the Alan Medaugh Collection
UTAGAWA HIROSHIGE (1797-1858)

Tamagawa tsutsumi no hana (Blossoms on the banks of Tama River)

Details
UTAGAWA HIROSHIGE (1797-1858)
Tamagawa tsutsumi no hana (Blossoms on the banks of Tama River)
Woodblock print, from the series Meisho Edo hyakkei (One hundred famous views of Edo), signed Hiroshige ga, published by Uoya Eikichi, 2nd month 1856, deluxe edition
Vertical oban: 14 x 9 5⁄8 in. (35.6 x 24.4 cm.)
Provenance
Arthur Wesley Dow (1857-1922), sold at American Art Galleries, New York, 27-29 March 1923, lot 827
East West Gallery, Rochester
Acquired from the above, 1999
Literature
Andreas Marks, Hiroshige's One Hundred Famous Views of Edo: The Definitive Collector's Edition (Tuttle Publishing, 2024). Plate 42.

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Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Japanese and Korean Art

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Lot Essay

Tamagawa Josui (Tamagawa Waterway) depicts a beautiful stretch of the waterway winding through the outskirts of Edo. Cherry trees were planted along its banks to enhance the landscape, transforming the waterway into a popular scenic spot, particularly in spring. Hiroshige makes the gently curving course of the waterway the central element of the composition. Its graceful, bow-shaped line leads the viewer’s eye deep into the scene, while the receding banks create a strong sense of distance and spatial depth. The flowering cherry trees provide a delicate seasonal frame, contrasting with the surrounding greenery and subdued tones of the distant landscape. The two-story buildings in the background are thought to represent the pleasure district of Naito-Shinjuku, introducing an urban element into the otherwise peaceful setting. The arrangement of the flowering trees, winding waterway, and distant architecture demonstrates Hiroshige’s ability to transform familiar sites around Edo into atmospheric and visually compelling landscapes.
This impression displays two rows of drip marks in the yellow title cartouche. The blue bokashi extending through the center of the waterway, together with the bokashi applied to the riverbank, tree trunks and the yellow roofs, are characteristic features of early impressions of this print.

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