UTAGAWA HIROSHIGE (1797-1858)
UTAGAWA HIROSHIGE (1797-1858)
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Property from the Alan Medaugh Collection
UTAGAWA HIROSHIGE (1797-1858)

Suidobashi, Surugadai (Suido Bridge and Surugadai)

Details
UTAGAWA HIROSHIGE (1797-1858)
Suidobashi, Surugadai (Suido Bridge and Surugadai)
Woodblock print, from the series Meisho Edo hyakkei (One hundred famous views of Edo), signed Hiroshige ga, published by Uoya Eikichi, intercalary 5th month 1857
Vertical oban: 14 x 9 ½ in. (35.6 x 24.1 cm.)
Provenance
Arthur Wesley Dow (1857-1922), sold at American Art Galleries, New York, 27-29 March 1923, lot 827
East West Gallery, New York
Acquired from the above, 1996
Literature
Hiroshige Nature and the City: Prints from the Alan Medaugh Collection (Ludion, 2023). Plate no. 114A.
Alfred Haft, Hiroshige: artist of the open road (UK: The British Museum Press, 2025), Exh. cat., Plate 51.
Exhibited
'Hiroshige: artist of the open road', The British Museum, London, 1 May-7 September 2025

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Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Japanese and Korean Art

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Lot Essay

Located on the south side of the Kanda River, the hill of Sundai, also known as Surugadai, was primarily a residential area for the samurai class and was renowned for its spectacular views of Mount Fuji. In the distance, several banners bearing Shoki designs and various streamers are visible around a samurai residence, raised in celebration of Tango no Sekku, the traditional Boys’ Festival held on the fifth day of the fifth lunar month. While Mount Fuji appears small in the distance, a large koinobori (carp streamer) dominates the composition. The striking contrast in scale between the distant Mount Fuji and the prominently positioned carp streamer creates a particularly dynamic composition.
The use of bokashi shading on the carp’s body and twisted tail, along the riverbanks, in the middle of the river, and across the mountain range suggests that this is an early impression.

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