UTAGAWA HIROSHIGE (1797-1858)
UTAGAWA HIROSHIGE (1797-1858)
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Property from the Alan Medaugh Collection
UTAGAWA HIROSHIGE (1797-1858)

Sparrows and Bamboo in Snow

Details
UTAGAWA HIROSHIGE (1797-1858)
Sparrows and Bamboo in Snow
Woodblock print, signed Hiroshige hitsu, circa 1830-42
Vertical aitanzaku: 13 x 4 3⁄8 in. (33 x 11.1 cm.)
Provenance
Grabhorn collection, by repute
Sebastian Izzard Asian Art LLC, New York
Acquired from the above, 2004
Literature
Hiroshige Nature and the City: Prints from the Alan Medaugh Collection (Ludion, 2023). Plate no. 304A.
Alfred Haft, Hiroshige: artist of the open road (UK: The British Museum Press, 2025), Exh. cat., Plate 79.
Exhibited
'Hiroshige: artist of the open road', The British Museum, London, 1 May-7 September 2025

Brought to you by

Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Japanese and Korean Art

Lot Essay

Monet famously painted variations of the same subject to explore how changing light, weather, and time alter our perception of color. Hiroshige and his publishers similarly experimented with different color schemes for the same design to create distinct atmospheric effects. Lots 78 and 79 offer a compelling example. Lot 78 was printed against a dark background, suggesting an evening scene or perhaps the dim light of a heavy snowstorm. Lot 79, by contrast, features a bright blue background, evoking daylight. Even the colors on the sparrows’ backs differ between the two impressions, possibly adjusted to harmonize with their respective palettes.

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