A Fine Do Maru No Yoroi [Armour With A Cuirass Which Wraps Round The Body Without Hinges]

EDO PERIOD (LATE 17TH/EARLY 18TH CENTURY)

Details
A Fine Do Maru No Yoroi [Armour With A Cuirass Which Wraps Round The Body Without Hinges]
Edo Period (Late 17th/early 18th Century)
The twenty-six plate russet iron suji bachi helmet superbly mounted in shakudo with a six stage tehen kanamono, the three front plates and one at the rear overlaid with shakudo, three shinodare to the front and two at the rear, on each side a pierced plate, the peak held by five shakudo rivets, two with mon designs and edged with gilded fukurin, a pierced plate covers the top of the russet iron haridate [crest holder], o-manju jikoro [large rounded neckguard] in black lacquered iron and leather hon kozane, both top rows turning back to form fukigayishi partly covered by iron plates overlaid with printed leather edged with gilt fukurin and bearing a gilt mon, iron russet lacquered mask possibly Iwai School, two lame yodarerake of leather hon kozane black lacquered, the upper plate with four mon headed rivets and a matching agemate-no-kwan, a nodowa [separate throat defence] with black lacquered iron neck ring constructed and mounted to match, a fine do maru of black lacquered iron hon kozane, chu sode of leather hon kozane black lacquered, fukurin, rivets and kogai kanamono [metal mount with a ring midway down the rear edge of a shoulderguard] all of gilded copper, shino gote black lacquered with the exception of the tekko which has been gilded and bears a shakudo mon, mounted on a rich brocade with large sleeve bags, gold lacquered leather kawara haidate, black lacquered iron bishamon suneate [type of shinguard] associated, the whole armour laced in a dark tea colour doe skin in kebiki style, with an armour box

Lot Essay

This fine armour is notable for the quality of its mounting and the unusual but perfectly authentic mix of shakudo and gilded copper kanamono. The mon in the form of a water plantain [omodaka] is repeated on all the major portions of the armour and is echoed in the designs used on the tehen kanamono, kogai kanamono, the back plates of the agemaki-no-kwan and on the fukurin. It is possibly that of the Mizuno family, daimyo of Yuki in the province of Shimosa. The ko-zane on the do and sode could well be of 16th century manufacture but the kusazuri seem to be more in keeping with the date of the rest of the armour.

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