Krishna's left arm is raised as if resting on Satyabhama's shoulder in a gesture of affection. Rukmini, as the elder wife, wears a breastband and more compact coiffure. While modeled individually, they form a harmonious group, linked by rhythmic movement; compare with the important group at the Los Angeles County Museum of Art, in P. Pal, Indian Sculpture, vol. 2, 1988, p. 277f., and a further group joined by a common base, in P. Pal, Asian Art at the Norton Simon Museum, vol. 3, 2004, p. 260f., cat. no. 186.