Camille Pissarro (1830-1903)

Le jardin de l'htel Berneval

Details
Camille Pissarro (1830-1903)
Pissarro, C.
Le jardin de l'htel Berneval
signed and dated 'C. Pissarro 1900' (lower right)
oil on canvas
25.7/8 x 32 in. (65.7 x 81.9 cm.)
Painted in 1900
Provenance
Rudolphe Vollmoeller, Zurich (by 1939).
Galerie Dr. Raeber, Basel.
Manuel de Villereuse-Favon, Paris; sale, Parke-Bernet Galleries, Inc., New York, 3 Feburary 1954, lot 87.
Acquavella Galleries, Inc., New York.
Elinor Dorrance Ingersoll, Philadelphia; sale, Christie's, New York, 18 October 1977, lot 30.
George R. Gardiner, Toronto (acquired at the above sale).
Literature
L.-R. Pissarro and L. Venturi, Camille Pissarro, son art--son oeuvre, Paris, 1939, vol. I, p. 240, no. 1144; vol. II, pl. 227 (illustrated).
Exhibited
Paris, Galerie Durand-Ruel, C. Pissarro, 1901, no. 40.
London, Mathiesen Gallery, Camille Pissarro, 1950, no. 34.
New York, Acquavella Galleries, Inc., Four Masters of Impressionism, 1968, no. 53.

Lot Essay

During the last decade of his life, Pissarro began to reinvestigate places associated with Impressionism, such as Berneval, Varengeville and Moret-sur-Loing. Le jardin de l'htel Berneval is from a series of at least seven canvases completed by Pissarro during the summer of 1900 in Berneval. On 11 July 1900, he wrote to his son Lucien: "Here I am at Berneval, a pretty little watering place an hour's drive from Dieppe. For the present I am staying at the hotel. The place is smaller than Varengeville, but it is a real nest surrounded by trees and slopes and with a pretty beach."

Turning away from his experiments with Pointillism, Pissarro revisits in canvases like the present one the blended brushwork and receding perspective that distinguishes his work of the 1870s. The curve of the garden path and the undulating line of the cliffs lead us through the canvas. However, the small, regular dabs of paint used in the foreground of the garden are a recognizable reminder of the Neo-Impressionist technique used by the artist in 1885-1890.

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