Guo Xuehu, one of the 'three youths of the Taiwan Art Exhibition' excelled at painting in the Nihonga style and devoted himself to innovating this technique. He combined this with influences from traditional Chinese ink painting, bringing Nihonga into a broader realm.
In Moth Orchid (Lot 233), Guo first outlines the orchids in fine lines before applying color. The red flowers and green leaves shine brilliantly together, while the pale background makes the flowers stand out even more. The arch of the orchid branches balances the vertical black slab on the left, creating a balanced in composition without slanting the focus of the picture too far. On the black slab, Guo renders the sinuous lines of the orchid's roots, breathing the joy of Chinese ink painting into Nihonga.
Guo considers sketching the most representative form of observation and the most important element of painting. Riverside Scenery in Spring (Lot 232) is an excellent example of this. The straight lines of the arch and bridge columns form enticing geometric shapes, creating an interesting contrast with the more ornate rooftops. The curve formed by the bridge's arch, the treetops and the cornices of the tower brings a sense of lightness and flow. This work is rich in color, showcasing the bright character of Nihonga painting. Blue, green, yellow and red all exist on the same image without being distracting, proving Guo's outstanding ability to harness colors. A poetic atmosphere permeates the painting with its white walls, red bricks, small boat and pedestrians on the bridge wearing clothes of many different shades. Riverside Scenery in Spring is a beautiful concerto of lines and colors.