A FINELY CARVED CARNELIAN AGATE MAKARA VASE AND COVER

QIANLONG PERIOD (1736-1795)

Details

A FINELY CARVED CARNELIAN AGATE MAKARA VASE AND COVER
QIANLONG PERIOD (1736-1795)
The vase is carved to depict two formidable horned and winged dragon-fish rising up and out of swirling waves, with a brilliant white flaming pearl, below a flattened ovoid vase that is supported on a rock. The vase is flanked by a pair of chilong clambering along the sides and amidst ruyi-form clouds. The material of semi-translucent orange-red tone reserving areas of white and opaque inclusions to highlight the overall design. The similarly carved oval section cover is surmounted by a coiled chilong.
7 7/8 in. (20 cm.) high

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Lot Essay

According to Buddhist legend, the makara was originally a whale that saved the lives of five hundred drowning merchants at sea, and then sacrificed itself by providing its own body for food to feed the victims. Because of its compassion and sacrifice, both important virtues in Buddhist philosophy, the whale was then immortalised and transformed into a makara, characterised by the head of a dragon, the body of a whale with wings and a pearl by its side.

The subject-matter is visually very similar to that of the carp reaching the upper courses of the Yellow River and leaping up the rapids at Dragon Gate where it transforms into a dragon. This feat is compared to success in the state examinations and the transformation from carp to dragon symbolising promotion to the position of official. This theme was a popular subject on carvings of the Qing period, particularly on jades.

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