A RARE BRONZE OPENWORK TAOTIE MASK FITTING
PROPERTY FROM AN IMPORTANT JAPANESE PRIVATE COLLECTION
北魏  青銅饕餮飾

NORTHERN WEI DYNASTY, 5TH CENTURY

細節
北魏  青銅饕餮飾
來源
Exhibited Osaka, Japan, Osaka Municipal Museum, Chugoku bijutsu ten siri zu 2, Ricucho no Bijutsu, 1975.
Senshutey, Tokyo, Japan, December 2001.
展覽
Osaka, Japan, Osaka Municipal Museum of Art, Chugoku bijutsu ten siri zu 2, Ricucho no Bijutsu (Art of the Six Dynasties), 1975, p. 18, no. 2-43.

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拍品專文

Compare the similar mask from Leizumiao, Guyuan, Ningxia Autonomous Region, and now in the Guyuan Museum, illustrated by James C.Y. Watt et al., in China: Dawn of a Golden Age, 200-750 AD, The Metropolitan Museum of Art, 2004, p. 164, no. 73, where it is dated Northern Wei dynasty, 5th century. The entry notes that the motif of a "human figure placed between the animals survives from an earlier period of Xianbei culture on the steppes." This mask also retains its pendent ring handle which duplicates the openwork decoration between the ears of the animal mask.

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