A SET OF FOUR GEORGE III GILTWOOD OPEN ARMCHAIRS
A SET OF FOUR GEORGE III GILTWOOD OPEN ARMCHAIRS

Details
A SET OF FOUR GEORGE III GILTWOOD OPEN ARMCHAIRS
Channelled overall, each with a rectangular padded back, arm-supports and bowfronted seat covered in blue foliate silk-damask, the arms with patera terminals on spirally-fluted baluster supports above anthemion oval panels, on turned tapering fluted legs headed by rectangular panels, on tapering turned feet, regilt (4)
Provenance
Mrs. G. A. More-Nisbett of Cairnhill and Drum, sold in these Rooms, 25 June 1987, lot 35 (7,150 for the suite).

Lot Essay

This form of Louis Seize style chair relates to the fashion adopted in the 1780s by George, Prince of Wales and his architect Henry Holland (d. 1806) in the furnishing of Carlton House, London, which was executed by chair-makers such as Franois Herv (d. 1796). A pattern for this type of drawing-room chair, with bow front and column-supported arms, featured in Thomas Sheraton's The Cabinet-Maker and Upholsterer's Drawing Book, 1893 (pl. XXXVI). An armchair closely related to this design has been recorded with the stamp of the chair-maker B. Harmer (C. Gilbert, Pictorial Dictionary of Marked London Furniture 1700-1840, Leeds, 1996, p. 33 and fig. 472).
The Drum, Midlothian was refurnished in 1862, when the property was acquired by the More-Nisbett family (Ian Gow, 'The Drum', Country Life, 15 August 1991, pp. 64-65).

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