PIERRE ET GILLES (ACTIFS DEPUIS 1976)
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PIERRE ET GILLES (ACTIFS DEPUIS 1976)

Le fumeur de narguilé _ Aziz

Details
PIERRE ET GILLES (ACTIFS DEPUIS 1976)
Le fumeur de narguilé _ Aziz
signé, daté et titré (au dos)
Photographie peinte marouflée sur aluminium encadrée par les artistes
Image : 71.5 x 101.5 cm. (28 1/8 x 40 in.)
Avec le cadre : 88 x 117 cm. (34 5/8 x 46 in.)
Réalisé en 1996, pièce unique.
Provenance
Galerie Jérôme de Noirmont, Paris
Collection particulière, Suisse
Phillips de Pury & Company, New York, Contemporary Art Part II, 12 mai 2006 (lot 415)
Literature
B. Marcadé, D. Cameron, Pierre et Gilles, l'Oeuvre complet 1976-1996, Köln, 1997 (illustré p.260)
E. Chaline, Gay Planet, New York, 2000 (illustré p).
P. Olivier, L'Horreur de l'aube, Strasbourg, 2000 (illustré en couverture).
Galerie Jérôme de Noirmont, Album Pierre et Gilles, Paris, 2002 (illustré p. 155).
D. Leddick, The Male Nude, Cologne 2005 (réédition) (illustré p.476).
Exhibited
Paris, Maison Européenne de la Photographie, Pierre et Gilles : Vingt Ans 1976-1996, novembre 1996-janvier 1997 (illustré au catalogue d'exposition).
Special notice
" f " : In addition to the regular Buyer’s premium, a commission of 7% (i.e. 7.49% inclusive of VAT for books, 8.372% inclusive of VAT for the other lots) of the hammer price will be charged to the buyer. It will be refunded to the Buyer upon proof of export of the lot outside the European Union within the legal time limit.(Please refer to section VAT refunds)
Further details
'LE FUMEUR DE NARGUILE - AZIZ'; SIGNED, DATED AND TITLED ON THE REVERSE; UNIQUE HAND-PAINTED PHOTOGRAPH MOUNTED ON ALUMINUM IN ARTISTS FRAME.

Brought to you by

Elodie Morel
Elodie Morel

Lot Essay

Pierre et Gilles's Le Fumeur de Narguilé transports the viewer directly to that dream-like ambiances plentiful of Baroque comfort. As with every example of their work, in this painted photograph everything is a fantasy; the atmosphere, the motley environment, the smoker's relaxed but inviting mood, the unbelievable majesty of the smoking pipe. The setting shimmers, and suggests a narrative ready to be embraced by any of us but in a decidedly unreachable way. In other words, a place like this may exist only in our most luscious fantasies. This is an ode to the absolute subjectivity of the journey; to what has been lived and seen by the artists; a jigsaw of memories and experiences masterly translated in images for the rest of us.

The East for Pierre et Gilles relates not only to a desire to make a reconnection with the remote past, to their roots: to a certain nostalgia associated with those foreign realms, with that restless yet human desire to venture into the unknown; but, above all, to a fervent longing for understanding what may seem different from us at first glance. In other words, theirs is a desire to build in a bridge between two separate cultures by the means of Art.

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