Gustave Moreau

Described by French art critic Jean Cassou as ‘the Symbolist painter par excellence’, Gustave Moreau was known for his elaborate and imaginative works that often drew upon mythological and biblical themes. Born in 1826 in Paris, Moreau demonstrated a profound interest in art from a young age, enrolling in the École des Beaux-Arts where he studied under François-Édouard Picot. His unique style, characterised by rich symbolism and intricate detail, set him apart from his contemporaries.

Moreau was influenced by the Romanticism of Eugène Delacroix and his teacher Théodore Chassériau, with a fascination of exploring the stories behind mythological and biblical female figures often associated with Symbolist paintings.

Moreau’s oeuvre includes a vast array of works that have left a lasting impact on the art world. Among his most famous works is The Apparition (1876, Louvre, Paris), which depicts Salome witnessing the vision of John the Baptist’s severed head. This painting is a quintessential example of his ability to blend horror with beauty, creating a haunting yet captivating scene.

The theme of Salome appears frequently in Moreau’s work, reflecting his fascination with the character. Moreau often explore Salome’s seductive and sinister nature, set against opulent and mystical backdrops. These works illustrate Moreau’s skill in combining narrative depth with visual splendour.

Moreau’s contributions to art were recognised during his lifetime, and he became a professor at the École des Beaux-Arts, influencing a generation of artists, including Albert Marquet, Henri Matisse and Georges Rouault. André Breton regarded Moreau as an important precursor to Surrealism. Moreau died in 1898. His legacy is preserved in the Gustave Moreau Museum in Paris. Located in his former home and studio, the museum houses an extensive collection of his works, offering insight into his creative process and artistic evolution.